Patrick Pleau Hype Moi (320kbps)

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Patrick Pleau Hype Moi (320kbps)

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Name:Patrick Pleau Hype Moi (320kbps)

Total Size: 107.41 MB

Magnet: Magnet Link

Seeds: 0

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2010-08-24 15:25:03 (Update Now)

Torrent added: 2009-08-28 13:15:39

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Torrent Files List

01 - Patrick Pleau - Antigénie.mp3 (Size: 107.41 MB) (Files: 14)

 01 - Patrick Pleau - Antigénie.mp3

7.72 MB

 02 - Patrick Pleau - L'inocéros.mp3

8.25 MB

 03 - Patrick Pleau - Bocalophobe.mp3

7.62 MB

 04 - Patrick Pleau - Tous Les Clichés Du Monde.mp3

11.58 MB

 05 - Patrick Pleau - Prélune En Mi Majeur.mp3

2.24 MB

 06 - Patrick Pleau - Cimetière Lunaire.mp3

8.87 MB

 07 - Patrick Pleau - L'écran Bleu De La Mort.mp3

11.18 MB

 08 - Patrick Pleau - Valérie.mp3

10.64 MB

 09 - Patrick Pleau - Café Noir.mp3

8.80 MB

 10 - Patrick Pleau - Rien À Comprendre.mp3

10.83 MB

 11 - Patrick Pleau - Dispute Entre Âmes Soeurs Et Frères.mp3

13.38 MB


109.31 KB

 Patrick Pleau - Hype-Moi complete booklet.pdf

6.19 MB

 Patrick Pleau - Hype-Moi.m3u

0.98 KB

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Torrent description

Patrick Pleau’s claim to fame came in 2007 along with his band Plajia and the release Beautiful Explosion; an album for which Patrick wrote the majority of the lyrics and music. Beautiful Explosion was nominated in 2008 for Archambault’s ‘Grand Prix de la relève’ (with fellow nomeniees : Tricot Machine, Samian, Alfa Rococo, Gaële, Le Husky & Bruno Marcil).

Hype-Moi, Patrick’s first solo project produced by Bob & Bill (Guy Dubuc and Marc Lessard) ranges from urban to oneiric themes. Several songs also make light of his “Geek / Internet” persona; tongue-in-cheek references to his past reputations. Raised in a musical environment (Patrick’s father was a DJ), it is with this first francophone release that he refined his lyrical stylings which he describes as “Peter Pan-like controlled naiveté” with songs written between 2002 and 2008 (including previously unreleased tracks from Plajia). Hype-Moi could be considered as the logical follow-up to Beautiful Explosion, with more of a masterful production and craftier songs (as shown by its first radio-single; Bacolophobe).

Though seemingly provocative, the album’s title Hype-Moi (Hype-Me) is a humorous invitation — one that should not be taken as a direct assault against critics but might recommend a different approach with which to showcase up-and-coming artists. Further following the example set by Beautiful Explosion, on Hype-Moi Patrick carefully utilizes sonic landscapes of popular 70s instruments such as Fender Rhodes and Wurlitzer keys.

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