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Jennifer Warnes Famous Blue Raincoat (1987)192kbps

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Name:Jennifer Warnes Famous Blue Raincoat (1987)192kbps

Total Size: 57.69 MB

Magnet: Magnet Link

Seeds: 0

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2011-01-02 21:21:26 (Update Now)

Torrent added: 2009-08-28 08:07:09



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Torrent Files List


01 First We Take Manhattan.mp3 (Size: 57.69 MB) (Files: 11)

 01 First We Take Manhattan.mp3

5.24 MB

 02 Bird on a Wire.mp3

6.51 MB

 03 Famous Blue Raincoat.mp3

7.67 MB

 04 Joan of Arc.mp3

10.97 MB

 05 Ain't No Cure For Love.mp3

4.97 MB

 06 Coming Back to You.mp3

5.17 MB

 07 Song of Bernadette.mp3

5.42 MB

 08 A Singer Must Die.mp3

6.74 MB

 09 Came So Far for Beauty.mp3

4.98 MB

 AlbumArt_{4E512509-E5C3-4611-8F3D-411A74A66D08}_Large.jpg

10.26 KB

 Torrent downloaded from AhaShare.com.txt

0.06 KB
 

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Torrent description

Jennifer Warnes - Famous Blue Raincoat

Year 1987

Track Listings
1. First We Take Manhattan
2. Bird On The Wire
3. Famous Blue Raincoat
4. Joan Of Arc
5. Ain't No Cure For Love
6. Coming Back To You
7. Song Of Bernadette
8. Singer Must Die
9. Came So Far For Beauty

Since Ella Fitzgerald never produced a songbook of Leonard Cohen songs, Jennifer Warnes's plush 1986 tribute is the next best thing. The sleekly seductive "First We Take Manhattan" is gilded by the guitars of Stevie Ray Vaughan and Robben Ford. Warnes doesn't add much to an evergreen like "Bird on a Wire", but she lays claim to the noirish title song with a confidential vocal that complements the chamber pop arrangement. "Song of Bernadette" is a ripened gem, and the selection where Warnes lets down her refined vocal technique to reveal deep emotions. More often, Warnes is as professionally accomplished on this well chosen set as her band of studio pros.
Like Bob Dylan, Leonard Cohen has the distinction of being a superior songwriter whose often covered songs seldom rivalthe original (due in part to Cohen's inimitable voice). That changed with the appearance of Jennifer Warnes' FAMOUS BLUE RAINCOAT. Best known for her soft rock oriented pop material, Warnes took a surprising (and critically acclaimed) turnon a this collection of first-rate interpretations. Cohen and Warnes worked together on the album (he duets with her on"Joan of Arc"), so these versions carry the poetic depth and breadth of Cohen's original vision. The arrangements mightbe glossy compared to Cohen's stark originals, but they also suit Warnes' smooth, accomplished approach. "First We Take Manhattan", "Ain't No Cure for Love", and the title track are standouts.
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