The Trio [IMPORT]
Dennis Chambers, Gonzalo Rubalcaba, Brian Bromberg
Audio CD (August 21, 2007)
Original Release Date: December 31, 2005
1. Maiden Voyage
3. On Green Dolphin Street
4. Hot House
6. Woodyn' You
7. Manha De Carnaval (Black Orpheus)
Gonzalo Rubalcaba - piano
Brian Bromberg - bass
Dennis Chambers - drums
Gonzalo Julio Gonzalez Fonseca was born in Havana, Cuba, May 27, 1963, into a musical family rich in the traditions of the country’s artistic past. During his childhood, in addition to the standard fare of elementary schools, Gonzalo was absorbing his Cuban musical heritage through personal contacts within his family, notably his father, pianist Guillermo Rubalcaba, and leading musicians who were frequent houseguests: Frank Emilio, Peruchin, Felipe Dulzaides and others. He also assimilated through scarce and treasured recordings the tunes and styles of 40’s-70’s US jazz masters: Thelonius Monk, Bud Powell, Oscar Peterson among pianists; and instrumentalists Charlie Parker, Dizzy Gillespie and Art Blakey. Gonzalo loved drumming, and early in his career studied both piano and drums. He began his classical musical training at Manuel Saumell Conservatory at age 9, where he finally had to choose piano; he moved up to “middle-school” at Amadeo Roldan Conservatory, and finally earned his degree in music composition from Havana’s Institute of Fine Arts in l983. By that time he was already playing in clubs and music halls in Havana. With Orquesta Aragon he toured France and Africa in 1980. He introduced his own Grupo Projecto to the North Sea and Berlin Festivals in l985. In July 1990 he appeared as a surprise guest with Charlie Haden and Paul Motian at Montreux Festival, Switzerland, in a historic performance (available as the CD Discovery).
Egrem Studios of Havana was the first to record his music during the early and mid ‘80’s, and these discs are still being released (recently Inicio, an album of piano solos, and Concierto Negro.) Beginning in 1986 Gonzalo began recording for Messidor of Frandfurt, Germany, and put out three superb albums for that label with his Cuban Quartet, Mi Gran Pasion, Live in Havana, and Giraldilla.
1986 was also notable because of his chance meeting in Havana with bassist Charlie Haden. Through Charlie he came to the attention of Blue Note Records’ president, Bruce Lundvall, and thus began an association, first with Toshiba/EMI of Japan, and later with Blue Note in the US, which has resulted in eleven discs being released. These collaborations brought Gonzalo this year (2002) both a Latin Grammy for Jazz Album of the Year, Supernova, as well as a Grammy for co-production with Charlie Haden of Nocturne, a Verve release of Cuban and Mexican boleros and ballads.
To complement these wins, Gonzalo, in addition, has to his credit eight Grammy nominations, including four for Jazz Album of the Year (Rapsodia in 1995, Antiguo and Inner Voyage in 1999, and Supernova in 2002.) Among other recent honors, in June 2001 Gonzalo received the SFJAZZ Leaders Circle Laureate Award, and in 2002 he performed as Artist in Residence at Montreal Jazz Festival together with Chucho Valdez.
Gonzalo married in November 1986 (as noted, a very eventful year for the pianist!!), and he and Maria now have three children, ages 6, 10 and 12. To enhance his career the family moved to Santo Domingo in 1992, and then to the US in November 1996.
Our Maestro will continue shaping and reshaping the Afro-Cuban themes, forms and rhythms which have provided him with inspiration for his life’s work. He will be touring for the foreseeable future with his Trio (Ignacio Berroa on drums and bassist Almando Gola ) with frequent guest appearances by tenor saxophonist David Sanchez.
In whatever idiom he works, his future musical creations will be melodious, rhythmic and exciting, and bear in their intriguing intricacies the artist’s inherent intention of transforming the daily routines of our lives into something more beautiful and significant
that contrasts with other outings i've heard from rubalcaba.. i think the music is excellent, interactive, reflective and top drawer... my only criticism is in the mix where the piano is way out front and the rhythm section is off in the distant background.. it is especially disappointing from the point of view of getting the impression dennis chambers is doing something outside of what he is mostly known for- fusion- booga, booga type drumming which is partly based on tonal characteristics of his drums- the way he tunes them.. stylistically he sounds more like blade or dejohnette here, but unfortunately can't be heard properly to be appreciated, except on his solo on one of the tracks.. bromberg is similarly buried... at any rate the piano playing is really relaxed and more introspective for what i've heard from rubalacaba and is a real treat for those of us who like hearing long improvs on standards where imagination is key... not sure how i have a copy of this- borrowed from a friend and it is saying the release date is the end of this month??? something is wonky their... perhaps it was released before??? - either way- very good music worth a review to comment on it...