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Mark Isham Tibet (New Age, 1989)

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Mark Isham Tibet (New Age, 1989)

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Torrent info

Name:Mark Isham Tibet (New Age, 1989)

Infohash: 1F831C176B5ED729C759770E89707376E9304827

Total Size: 68.17 MB

Seeds: 0

Leechers: 2

Stream: Watch Full Movie @ Movie4u

Last Updated: 2024-01-17 00:05:24 (Update Now)

Torrent added: 2009-08-27 12:55:34






Torrent Files List


01. part i.mp3 (Size: 68.17 MB) (Files: 17)

 01. part i.mp3

18.19 MB

 02. part ii.mp3

6.71 MB

 03. part iii.mp3

8.78 MB

 04. part iv.mp3

12.51 MB

 05. part v.mp3

20.08 MB

 back.jpg

222.07 KB

 front.jpg

163.97 KB

 info inside.jpg

234.97 KB

 Mark Isham - Tibet (detrás).JPG

222.07 KB

 Mark Isham - Tibet (portada).JPG

163.97 KB

 Mark Isham - Tibet (texto).JPG

234.97 KB

 mark isham - tibet.m3u

0.08 KB

 mark isham - tibet.md5

0.68 KB

 Mark Isham - Tibet.nfo

1.45 KB

 mark isham - tibet.sfv

0.54 KB

 tibet_back.jpg

200.90 KB

 tibet_front.jpg

494.48 KB
 

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Torrent description

Artist : Mark Isham
Album : Tibet
Source : CD
Year : 1989
Genre : New Age
Label : Windham Hill Records

Codec : Lame 3.92
Quality : CBR, 192kbps, stereo

ID3-Tag : Yes, Version 1 & 2.3

Posted By : Tommy on 11-02-2005


Included : This Info-File (NFO)
Frontcover
Backcover

Tracklisting
------------
(13:14) 01 - Part I
(04:53) 02 - Part II
(06:23) 03 - Part III
(09:06) 04 - Part IV
(14:37) 05 - Part V

Playing Time : 48:13
Total Size : 66.2 MB


"Isham created a number of wonderful records over a span of 5 years in the last half of the 1980's: "Castalia", "Tibet", and "Mark Isham". Of them Castalia is the most inventive and musically complex, Tibet is the quiet one, and "Mark Isham" has the best "songs". Tibet was originally music for a laser disk "movie" and as a result it is not surprising that it is quieter than the others. However, it is a subtle record of great beauty and unpredictability.

I love it when the slow synth "washes" are suddenly interupted by the wierd guitar and horn duets (as happens in part II). The spoken haikus also just appear out of nowhere and are then followed mysteriously by a complex two minute segment of horns, guitar and percussion (David Torn on guitar, Kurt Wortman on percussion) as happens at the end of part III.

To me, this is a perfect record for thinking, for contemplating the world, to lose myself in thought."

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