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Eric Malmberg Verklighet Och Beat 2007 1way[Gettorrents org]

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Name:Eric Malmberg Verklighet Och Beat 2007 1way[Gettorrents org]

Total Size: 59.30 MB

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Stream: Watch Full Movie @ Movie4u

Last Updated: 2010-10-06 16:36:57 (Update Now)

Torrent added: 2009-08-27 07:45:54

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00-eric_malmberg--verklighet_och_beat-(hapna)-2007-cd.jpg (Size: 59.30 MB) (Files: 15)


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Torrent description

a r t i s t : Eric Malmberg
t i t l e : Verklighet & Beat
d a t e : 2007
l a b e l : Häpna (H.34)
g e n r e : Instrumental
r l s. d a t e : Sep/2007
t r a c k s : 10
b i t r a t e : VBRkbps
s i z e : 57,4 MB
Ex Sagor & Swing man returns, featuring Bo Hansson (Hansson &
Karlsson, 70's legends) on syntheziser, and Goran Kajfes ***
Eric Malmbergs music is a small miracle. We dont want to
call him a genius, because we dont want to jinx him. But we
will say that hes a complete original, in addition to being a
vastly talented musician. We will also say that his recordings
and the performances that we saw by Sagor & Swing merit a
place on a short list of most enjoyed musical experiences of
the last half decade. We could bleat about the quality of the
work, but most enjoyed to us carries the stronger charge.
Verklighet & Beat, meaning Reality & Beat (as opposed to
Sagor & Swing: Fairytales and Swing), is a second high
point in Eric Malmbergs career. The first came with 2001s
"Orgelfärger", the first album by Sagor & Swing. Sagor & Swing
were the duo of Eric on his beloved Hammond organ and Ulf
Möller on sympathetic, timeless drums. The obvious comparison
was to Hansson & Karlsson, the Swedish organ and drums duo
from the 1970's. Indeed, Eric is the author of a number of
comic books detailing the adventures of Hansson & Karlsson.
(Hes also the author of the comic Happy Hammond in
Slumberland.) Bo Hansson returned the favor by giving him an
organ as well as by appearing on synthesizer on "Verklighet
& Beat".
"Orgelfärger" came out of a clear blue sky. A brisk, chilly
blue sky over a kind of stubbornly verdant rural landscape
that we can easily picture but have never actually seen. It
charmed by seemingly having zero connection to its era. A
Hammond whirlpool of minor-key melodicism. A snare, a brush, a
mellower Mitch Mitchell. A sense with each new composition of
starting back from the same place, of getting exquisitely lost
in the woods each time, differently. Eleven songs, eleven
paths. Listening to this album again, we cant imagine how it
could be improved.
All of which brings us to "Verklighet & Beat". Sagor & Swing
disbanded after four albums, and this is Erics second solo
release. The first, "Den gåtfulla människan", finds Eric alone
at the Hammond, with the occasional desolate rhythm-box
"Verklighet & Beat" is an entirely different animal, a
beautifully arranged and fully realized vision of how to
present Erics music. It has two obvious hits. Till minne av
Lilly Lindström - the albums effortless high-water mark in
providing instrumental colouration for what had previously
only been implied by Erics bare-bones melodies. Are those
guitar strings fifty years old? Sleigh bells havent sounded
so good since the first Stooges album. Then the descending
disco strings carve up the dance floor. A tip of the hat to
producer/musician Jari Haapalainen.
The other surefire smash hit is Söndagskonsert, which holds
all to its own when compared to the most moving of Peer
Rabens scores for films by Rainer Werner Fassbinder.
Verklighet & Beat suggests that an impeccably programmed movie
theater has opened in Erics neck of the woods.
The albums opening track, Finalen is a signature gesture of
Erics, wherein stirring, nearly martial melodies are rendered
with maximum Hammond mellowness. A number of these pieces are
essentially marches, and yet they could hardly be less
bellicose. Finalen is another in a series of Malmberg
earworms: melodies that after a few listens seem as if youve
known them since childhood.
Min kompis Anton is another bittersweet, inward-turned
march. It incorporates the musicality of distantly heard
recordings of kids laughter an intuitive gesture that seems
so right as to preclude further comment. Synth is used
sparingly, to merely indicate the stratosphere. Slutet på en
epok is hard-rocking and frantic, much more like the Sagor &
Swing live sets, and a style only occasioned hinted at by
previous studio recordings. Ascending modulations are handled
in the style of a surf instrumental. The brushes are out on
Leksand, tidigt nittiotal, a series of re-examinations of a
single melodic line.
A key fiddle can sound as lonesome as any harmonica.
"Verklighet & Beat" is improbably beautiful. Its better in
practice than in theory. And Eric Malmbergs vision now
radiates color." // David Grubbs, New York, March 2007
01-Finalen [04:43]
02-Min kompis Anton [04:25]
03-Till minne av Lilly Lindstroem [04:28]
04-Slutet på en epok [03:46]
05-Leksand, tidigt nittiotal [04:10]
06-Soendagskonsert [03:09]
07-Milda doeden haemtar oss alla till slut [03:56]
08-Ackordfloedet och evigheten [03:44]
09-Varat fanns någonstans i roeran [04:57]
10-Styx [04:39]
41:57 min'

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