At a time when he was a member of the legendary Clifford Brown/Max Roach sextet, Sonny Rollins was still the apple fallen not too far from the tree of Miles Davis. Tenor Madness was the recording that, once and for all, established Newk as one of the premier tenor saxophonists, an accolade that in retrospect, has continued through six full decades and gives an indication why a young Rollins was so well liked, as his fluency, whimsical nature, and solid construct of melodies and solos gave him the title of the next Coleman Hawkins or Lester Young of mainstream jazz. With the team of pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones, staples of that era's Miles Davis combos, Rollins has all the rhythmic ammunition to cut loose, be free, and extrapolate on themes as only he could, and still can. This is most evident on his version of 'The Most Beautiful Girl in the World,' started in its normal choppy waltz time, followed by a sax/drums prelude, a drum solo from Jones, and steamed from there on in, a hot 4/4 romp. Garland is particularly outstanding for keeping up the pace, depth and placement on this one. A bluesy version of 'When Your Lover Has Gone,' again enlivened by Jones, and the legendary title track with Rollins and John Coltrane trading long solos, and fours with Jones, are tunes that in the mid-'50s defined the parlance 'blowing session.' 'Paul's Pal,' in tribute to Chambers, has become a standard in its own right with a bright, memorable melody showing the good humor of Rollins, especially on the second time through, while the saxophonist's ability to sing vocal like tones through his horn is no better evinced as during the light ballad 'My Reverie.' A recording that should stand proudly alongside Saxophone Colossus as some of the best work of Sonny Rollins in his early years, it's also a testament to the validity, vibrancy, and depth of modern jazz in the post-World War era. It belongs on everybody's shelf. ~ Michael G. Nastos, AMG
The bad news is that tenor Olympians Sonny Rollins and John Coltrane joined forces in the studio just once. The good news is that it's available on TENOR MADNESS. The title track is battle of two gladiators, exchanging solos with such strength and imagination it's mind-boggling. Coltrane begins the exchange, which is really not a battle but rather a collaboration with Rollins. Although the piece is not really a competition, Rollins is every bit Coltrane's equal during the 12+ minute romp. This recording is astounding and timeless. It literally doesn't get any better than this.
So the CD goes downhill from there, right? No way. Sonny is as relaxed as a late summer morning on the second track, 'When Your Lover Has Gone.' Red Garland (piano) and Paul Chambers (bass) also takes solos that are as smooth as a velvet rainbow. 'Paul's Pal' is a nice groove number with some outstanding brush work by drummer Philly Joe Jones. 'My Reverie' finds Sonny floating a soft, smoky vibrato over the rhythm section. The disc concludes with 'The Most Beautiful Girl in the World,' a Richard Rodgers tune that the boys have great fun reconstructing. Great solos by all.
Very highly recommended. ~ A. Wolverton
Sonny Rollins (Tenor Saxophone)
John Coltrane (Tenor Saxophone)
Red Garland (Piano)
Paul Chambers (Double Bass)
Philly Joe Jones (Drums)
Sonny Rollins - Madness Tracks:
01 Tenor Madness (Sonny Rollins) 12:15
02 When Your Lover Has Gone (Einar A. Swan) 6:12
03 Paul's Pal (Sonny Rollins) 5:12
04 My Reverie (Larry Clinton/Claude Debussy) 6:08
05 The Most Beautiful Girl In The World (Richard Rodgers/Lorenz Hart) 5:35