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Samo Salamon Sextet Ela's Dream 2005 ][LoLTEAM][ RELEASE rar

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Samo Salamon Sextet Ela's Dream 2005 ][LoLTEAM][ RELEASE rar

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Name:Samo Salamon Sextet Ela's Dream 2005 ][LoLTEAM][ RELEASE rar

Total Size: 109.39 MB

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Last Updated: 2010-11-07 14:13:09 (Update Now)

Torrent added: 2009-08-24 02:41:35




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Samo Salamon Sextet - Ela's Dream - 2005 - ][LoLTEAM][ RELEASE.rar (Size: 109.39 MB) (Files: 1)

 Samo Salamon Sextet - Ela's Dream - 2005 - ][LoLTEAM][ RELEASE.rar

109.39 MB
 

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Torrent description

][LoLTEAM][ 2005



RELEASE iNFORMATiON


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Samo Salamon Sextet - Ela's Dream
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Supplier: ][LoLTEAM][

Artist...............: Samo Salamon Sextet
Album................: Ela's Dream
Genre................: Jazz / Style: Progressive
Source...............: CD
Year.................: 2005
Record Label.........: Splasc(H) Records

Quality..............: MPEG-2 AAC / CBR 192kbit
Channels.............: Stereo / 44100 hz

Musicians............: Kyle Gregory (trumpet), Dave Binney (altosaxophone), Achille Succi (alto saxophone & bass clarinet), SamoSalamon (guitar),
Paolina Dalla Porta (bass), Zlatko Kaucic (drums)


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Tracklisting
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1. Coffee With A Girl 18.25 (Salamon)
2. Emotional Playground 15.22 (Salamon)
3. There's Still Dog Food Left In It 15.34 (Salamon)
4. Ela's Dream 19.53 (Salamon)
5. Broken Windows 10.20 (Salamon)



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Review
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Slovenian jazz guitarist Samo Salamon conveys maturity beyond his youngyears on this progressive jazz release. A live recording featuringwell-known American saxophonist David Binney to round out thethree-horn attack, the guitarist surfaces as a confident leader whopossesses mega-chops and improvisational savvy. With these five lengthypieces the band offers a refreshing slant via a concoction offree-jazz, swing, bop and jazz-fusion. But the overall muse is notsimply built upon a cross-polarization of jazz styles. It’s more aboutSalamon’s resourceful leadership and rock solid compositions thathighlight his band-mates’ technical veracity amid variable flows andmemorable choruses.


At times, Salamon puts the pedal to the metal via ascending soloingventures and climactic phrasings; all supplemented by stingingprogressions and cleverly articulated single note flurries. Otherwise,Binney, saxophonist Achille Succi and trumpeter Kyle Gregory turn ingritty soloing to coincide with the various shifts in tempo andalternating currents. On “There’s Still Dog Food Left In It,” PaolinoDalla Porta takes an extended bass solo, followed by the hornists’solemn passages, ultimately evolving into a vibrant medium-tempo swingvamp. With that, Salamon – a one-time student of guitarist JohnScofield – successfully conveys a vibe that teeters on the cutting edgeof matters, while offering a set that seldom fails to entertain!


With Ela's Dream, young Slovenian guitarist Samo Salamon has made analbum that is not only top shelf, it may be important as well. With itsvariety, movement, and sheer joyous energy, this program presents jazzas a music of almost infinite possibilies. And finally, with fourEuropeans in the band, Salamon's group swings like mad, making apowerful statement that European jazz musicians are making music thatequals, and arguably surpasses, in both creativity and swing, a lot ofAmerican jazz.


Salamon plays guitar with a serrated edge, giving him a sound somewharebetween John Scofield, with whom he once studied, and Sonny Sharrock.He adds an almost dizzying energy, and he swings hard. The net effectis what Ornette Coleman might sound like if his primary instrument wereguitar instead of alto saxophone. At times, Salamon's writing, with itscatchy themes, also bears an Ornette influence. Further, hiscompositions, with their changing tempos, time signatures, and multiplethemes, give the album a nearly epic sweep.


For example, “Coffee With A Girl” is, in Salamon's words, “in the styleof Ornette Coleman.” Indeed it is, and after the bumptious theme andbrief intervals of collective improvising, the band launches into adriving, medium-up swing, supporting wonderful solos by the leader andDavid Binney. Then they riff, and settle into a medium, but no lessswinging, tempo, and Succi roars on bass clarinet.

By contrast, “Broken Windows” starts with a powerful guitar solo, afterwhich the rhythm section plays a pattern in a fast 5/4 groove, andBinney and Succi, this time on alto, engage in fiery exchanges, foldinginto collective improvising, an alto riff, and a Salamon and Kaucicduet that, with its power and intensity, recalls Trane and Elvin Jonesreaching for the stars. Only it's not; it's something new that couldonly have come from these musicians, in this time. Binney and therhythm section score again during the middle section of the title tune,which features a long, fine alto solo taken at a rip-roaring, veryfast, 4/4 swing tempo.




Record Label Website: http://www.splaschrecords.com

Artist's Website: http://www.samosalamon.com


][LoLTEAM][ # 2005 #

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