Jazz

Bolling & Yo Yo Ma Suite for Cello & Jazz Piano Trio [flac]

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Claude Bolling & Yo-Yo Ma - Suite for Cello & Jazz Piano Trio
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Artist...............: Claude Bolling & Yo-Yo Ma
Album................: Suite for Cello & Jazz Piano Trio
Genre................: Jazz
Source...............: CD
Year.................: 1984
Ripper...............: EAC 0.99b4 & HL-DT-STDVDRAM GSA-4164B A103
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.1 20070917
Quality..............: Lossless, (avg. compression: 98 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment
Information..........:

Ripped by............: roobar on 30/03/2008
Posted by............: roobar on 4/04/2008
News Server..........:
News Group(s)........:

Included.............: NFO, MD5, LOG
Covers...............: Front Back

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Tracklisting
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1. (00:04:23) - (60.56%) Claude Bolling & Yo-Yo Ma - Baroque in Rhythm
2. (00:11:53) - (58.52%) Claude Bolling & Yo-Yo Ma - Concertante
3. (00:06:47) - (62.22%) Claude Bolling & Yo-Yo Ma - Galop
4. (00:09:52) - (59.03%) Claude Bolling & Yo-Yo Ma - Ballade
5. (00:08:31) - (58.07%) Claude Bolling & Yo-Yo Ma - Romantique
6. (00:06:46) - (64.89%) Claude Bolling & Yo-Yo Ma - Cello Fan

Playing Time.........: 02:39:55
Total Size...........: 292.73 MB

NFO generated on.....: 4/04/2008 9:03:14 PM


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Lots of composers fall head over heels for the cello, and Bolling's suite for
classical cellist Yo-Yo Ma indicates that he finds this instrument a particularly
noble, expressive vehicle for his classical/jazz musings. The distinctive Bolling
formula still has plenty of mileage here, this time with a more expansive lyrical
bent and no cutesy detours. "Baroque In Rhythm," in particular, sounds very
fresh with its interpolations of boogie-woogie and ragtime amidst the Bachian
counterpoint. "Romantique" is enlivened by some Brubeck-like chording and
swinging from Bolling, and "Galop" has real panache. However, despite some
inspired passages, the yawning, overlong lyrical stretches of "Concertante"
and "Ballade" may try the patience of some jazz listeners. The brilliant Ma is
more adaptable to the idea of classical/jazz fusion than most of his classical
colleagues; he actually projects a sympathetic feeling for the written-out
syncopated and quasi-bluesy passages. (Indeed, Ma's curiosity would later
lead him to record all kinds of things like Argentine tangos, duets with Bobby
McFerrin, and classical/C&W fusions with Mark O'Connor and Edgar Meyer).
Bolling is his usual fleet, chameleonic pianistic self, with Marc Michel (bass)
and Jean-Luc Dayan (drums) offering discreet, decently swinging support.
allmusic.com
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