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Astor Piazzolla and Gary Burton Astor Piazzolla Reunion [milana]

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Astor Piazzolla and Gary Burton Astor Piazzolla Reunion [milana]

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Torrent info

Name:Astor Piazzolla and Gary Burton Astor Piazzolla Reunion [milana]

Infohash: 14B3CC0F23B0263C96BD519C0FF3ABE7A7A0FFEC

Total Size: 302.82 MB

Seeds: 0

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2024-04-07 04:49:27 (Update Now)

Torrent added: 2009-08-24 01:11:32






Torrent Files List


Astor Piazzolla Reunion-cover.jpg (Size: 302.82 MB) (Files: 18)

 Astor Piazzolla Reunion-cover.jpg

11.21 KB

 Astor Piazzolla Reunion

  Astor Piazzolla Reunion.cue

3.03 KB

  13.Mi Refugio-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

17.45 MB

  12.Concierto Para Quinteto-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

46.76 MB

  11.Decarisimo-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

12.63 MB

  10.La Muerte Del Angel-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

14.96 MB

  09.Revirado-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

14.64 MB

  08.Lunfardo-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

28.28 MB

  07.Soledad-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

33.73 MB

  06.Triunfal-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

17.69 MB

  05.Tanguedia-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

23.36 MB

  04.Caliente-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

20.13 MB

  03.Romance Del Diablo-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

27.27 MB

  02.Allegro Tangabile-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

19.06 MB

  01.Biyuya-Astor Piazzolla Reunion,Astor Piazzolla and Gary Burton.flac

26.85 MB

  00. Astor Piazzolla and Gary Burton - Astor Piazzolla Reunion.m3u

1.75 KB

 Astor Piazzolla and Gary Burton - Astor Piazzolla Reunion.log

7.62 KB

 00. Astor Piazzolla and Gary Burton - Astor Piazzolla Reunion.nfo

2.62 KB
 

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Torrent description

It's not hyperbole to say that Astor Piazzolla is the single most important figure in the history of tango, a towering giant whose shadow looms large over everything that preceded and followed him. Piazzolla's place in Argentina's greatest cultural export is roughly equivalent to that of Duke Ellington in jazz -- the genius composer who took an earthy, sensual, even disreputable folk music and elevated it into a sophisticated form of high art.
But even more than Ellington, Piazzolla was also a virtuosic performer with a near-unparalleled mastery of his chosen instrument, the bandoneon, a large button accordion noted for its unwieldy size and difficult fingering system. In Piazzolla's hands, tango was no longer strictly a dance music; his compositions borrowed from jazz and classical forms, creating a whole new harmonic and rhythmic vocabulary made for the concert hall more than the ballroom (which was dubbed “nuevo tango”).

Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear.

The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world.

Performed by:
Gary Burton, vibraphone
Astor Piazzolla, bandoneon
Fernondo Suarez-Paz, violin
Horacio Malvicino, guitar
H?ctor Console, bass
Daniel Binelli, bandoneon
Marcelo Nisinman, bandoneon
Pablo Ziegler, piano
Makoto Ozone, piano
Nicolas Ledesma, piano

Artist...............: Astor Piazzolla and Gary Burton
Album................: Astor Piazzolla Reunion
Genre................: jazz
Source...............: CD
Year.................: 1998
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.2.0 20070715
Quality..............: Lossless, (avg. compression: 45 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Included.............: NFO, M3U, LOG, CUE
Covers...............: Front
Total Size...........: 302.80 MB

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