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With musical contributions from Will Oldham, Matt Sweeney, Andrew WK (on bass and drums) and a score of other notables, Baby Dee has some impressive endorsements on her Drag City debut. However, one listen to this album, along with a quick trip to YouTube to check out her and her over-sized tricycle in action, will likely result in wildly mixed reactions.
To begin with, Dee’s singing voice is easily as divisive as Antony’s or Joanna Newsom’s, with its off-key croons and unpredictable undulations. Couple that with a bat-shit crazy persona and a set of songs that sound like the score from a Tim Burton film or an off-off-off Broadway play, and you have quite the acquired taste.