Electronic

Remotion Between Fiction And Reality (Newage Berlin School, 2001)

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Remotion - Between Fiction And Reality
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Artist...............: Remotion
Album................: Between Fiction And Reality
Genre................: New Age Berlin School
Source...............: CD
Year.................: 2001
Ripper...............: NMR
Codec................: LAME 3.92
Version..............: MPEG 1 Layer III
Quality..............: CBR 256, (avg. bitrate: 256kbps)
Channels.............: Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Information..........: Groove Unlimited (Label)
Ripped by............: NMR
Posted by............: on 1/13/2006

Included.............: NFO, PLS, M3U
Covers...............: Yes
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Tracklisting
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01. (00:09:01) Remotion - Deep Down Under
02. (00:10:04) Remotion - Red Or Blue
03. (00:14:34) Remotion - Between Fiction And Reality
04. (00:12:47) Remotion - Echoes From Another Dimension
05. (00:08:14) Remotion - Jules' Journey
06. (00:09:57) Remotion - Perception Of Time
07. (00:06:20) Remotion - Science
Playing Time.........: 01:10:57
Total Size...........: 130.22 MB
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The music on this album was recorded live in the studio on a 16-track recorder, without using computer sequencers.

Richard Stuij - composing and performing music.
Arjan Steenbergen - engineering and additional drums and effects.
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"Remotion is musician Richard Stuij assisted by engineer Arjan
Steenbergen.
Like contemporary Ron Boots, Stuij is profoundly influenced by New Age
synthesizer Berlin School music in addition to the more accessible
synth music as popularized by Jean-Michel Jarre.
The seven tracks on Between Fiction and Reality cover the gamut of
these influences, from the Equinoxe-like opener “Deep Down Under”
to the late 70s influence of Schulze on the 14½ minute title track.
Remotion sticks largely to sequenced material in all its forms, and Stuij
seems to be incredibly proficient with them.
Not only are the lines worked out and interesting, but sonically they
are warm and pleasing to the ear. In fact, as the album progresses,
the music tends to move away from the more upbeat influences to
the world of deep New Age space music, all propelled along by inventive
sequencing programming. The final, and shortest piece, is indicative of
this happy marriage, coupling warm atmospherics with percolating
sequences.
The production is the icing on the cake; Between Fiction and Reality
being a strong example of a competent Germanic descendent."
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