Electronic

Juno reactor 2004 Labyrinth[

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Juno reactor 2004 Labyrinth[

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Torrent info

Name:Juno reactor 2004 Labyrinth[

Total Size: 74.06 MB

Magnet: Magnet Link

Seeds: 0

Leechers: 0

Stream: Watch Online @ Movie4u

Last Updated: 2014-02-25 17:40:20 (Update Now)

Torrent added: 2009-08-23 14:09:59




Torrent Files List


juno.nfo (Size: 74.06 MB) (Files: 11)

 juno.nfo

8.10 KB

 09-juno_reactor-navras.mp3

12.50 MB

 08-juno_reactor-angels_and_men.mp3

9.79 MB

 07-juno_reactor-mutant_message.mp3

8.48 MB

 06-juno_reactor-zwara.mp3

9.04 MB

 05-juno_reactor-mona_lisa_overdrive_v2.mp3

6.53 MB

 04-juno_reactor-war_dogs.mp3

6.88 MB

 03-juno_reactor-giant.mp3

5.51 MB

 02-juno_reactor-conquistador_part_2.mp3

7.01 MB

 01-juno_reactor-conquistador_part_1.sfv

1.15 KB

 01-juno_reactor-conquistador_part_1.mp3

8.31 MB
 

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Torrent description

Artist....: Juno Reactor
Title.....: Labyrinth
Rel. Date.: 2004
Type/Genre: Electronic
Size......: 74mb
Format....: mp3
Bitrate...: 192

1. Conquistador pt 1
2. Conquistador pt 2
3. Giant
4. Wardogs
5. Mona Lisa Overdrive
6. Zwara
7. Mutant Message
8. Angels and Men
9. Navras

Juno Reactor's 2004 release LABYRINTH infuses trance with heavy-hitting rock, African tribal rhythms, and hints of modern Japanese music (given the inclusion of a taiko drummer). Further, because this recording mixes electronic and acoustic instruments together, a unique musical tableau is created.
LABYRINTH cannot be strictly defined as either techno or dance music. The blending of ethnic percussion with dense, industrial loops and ominous singing casts this album in a unique light. For example, the writhing "Conquistador II" merges together computer-generated rhythms with various highly produced percussion effects and a ghostly vocal performance from Taz Alexander. There is great song variety on this disctoo. Hard-edged rockers "Wardogs" and "Giant" are offset bythe dreaminess of "Mutant Message" and "Angels and Men". On the latter, Susan Hendricks's wistful voice adds an air of mystery and gloom to the proceedings. In general, her singing invokes a dark, gothic mood on several of these tracks. This is best evidenced on "Conquistador I". Here, Hendricks's plaintive melody borrows from renaissance music: perhaps 16th-century Spanish plainsong (as suggested by the composition's title).

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