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Metalheadz Data METH077 VINYL 2009 sour[TheSurgeons org]

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Metalheadz Data METH077 VINYL 2009 sour[TheSurgeons org]

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Torrent info

Name:Metalheadz Data METH077 VINYL 2009 sour[TheSurgeons org]

Total Size: 20.15 MB

Magnet: Magnet Link

Seeds: 0

Leechers: 0

Stream: Watch Online @ Movie4u

Last Updated: 2015-04-27 07:22:37 (Update Now)

Torrent added: 2009-08-23 12:09:43




Torrent Files List


a-data-muted-sour.mp3 (Size: 20.15 MB) (Files: 5)

 a-data-muted-sour.mp3

9.92 MB

 00-metalheadz-data-meth077-vinyl-2009-sour.nfo

15.38 KB

 b-data-splice-sour.mp3

10.21 MB

 00-metalheadz-data-meth077-vinyl-2009-sour.m3u

0.04 KB

 00-metalheadz-data-meth077-vinyl-2009-sour.sfv

0.06 KB
 

tracker

leech seeds
 

Torrent description

___________________
__________________|_ | /______________|_
__________\ | | |
| | | |
| ______/_ ______ | ._______\_____ |
_|_ ___\ __/________\ /________| __\ _ )__ |
((___\ \\ \___ . __ . | . . /___ __|_
| | l | \/ | l | l // /____))
|_ | | | | | | |
__ / |_____,------|_____,------|____.------|____|------' |
\\/ / | | |
/_ .... | | ..... |
|: | `-----:---------------------------'
`-----------------------:----': design.by.ant1k: __ ____ _______
_(_/_( _ /_( _/ _ /_: \_ | | | |_ | |: | :
| | | | _/ | |: | : |
| | | | |
| | | | | | | | r e l e a s e i n f o: |
`--+ | | | | | +----------------------------------------------+--+--+---'
| | | | | | |: | | |
|__|__|__|__|_____|: | :: _______________/_
\ /: _\ rippers /____: release no ( 10022 ) \ rating |: \_____. |: artist (Data ) | .---. |: title (Muted / Splice ) | 0 | | |: record label (Metalheadz (METH077) ) | 9 | | |: genre (Drum & Bass ) | 8 |%%%| |: release date (2009/03/12) | 7 |%%%| |: street date (2009/04/06) | 6 |%%%| |: | 5 |%%%| |: media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |: cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |: | 2 |%%%| |: | 1 |%%%| |: (02 tracks) (13:30 min) ( 20,1 mb) | `---' |: `----------': _. ____ ____ ____ __
( |_ .\ _ )_\__ )_( __/.__/ /: | __/_| _ _/ _ | | | /_ /_: | . :
| | | | | | | | | | |: | | |
| | | | | | | | | | |
| | | | | | | | | | | | t r a c k l i s t i n g: |
`--| | | | | | | | | | |----------------------------------+--+--+---'
| | | | | | | | | | |: | | |
|_____|__|__|_____|_____|__|__|: | :: nr times track titles
^-------^
| A 6:43 Data - Muted |
| B 6:47 Data - Splice |
`----^-------^--------------------------------------------/ |
/____________________|: ____ ____ __. ____ ____ ____ ____
\ _ )_( _ /_\ |___( _ /_\__ )_( __/_( _ /_: | _ _/ /___/ | / /___/ _ |___ / /___/: | :
| | | | | | | | | | | | | | |: | : |
| | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | r e l e a s e n o t e: |
`--| | | | | | | | | | | | | | |------------------------+--+--+-'
| | | | | | | | | | | | | | |: | | |
|__|__|_____|_____|_____|_____|_____|_____|: | :: | |

| | | |
| | Data states that William Gibson's | |
| | "Neuromancer" was primary influence for | |
| | METH077 "Muted / Splice". Gibson's visionary | |
| | work correctly predicted the rise of | |
| | technologys such as the internet, wrapping | |
| | them a bleak near-future full of cybernetics, | |
| | memory implants and nerve splicing. Drawing | |
| | inspiration from Gibson's work, Data's | |
| | carefully crafted "Muted" begins with a | |
| | minimal, technical and glitchy beat, | |
| | surrounded by distant but warm tones. A | |
| | subtle yet huge bass tone rises within the | |
| | mix, hinting at jazz double bass riffs of | |
| | old. Small intricate edits appear with each | |
| | play, showing depth within what can appear a | |
| | simple work. "Muted" is like walking through | |
| | Chiba in the rain, the neon glaring in your | |
| | eyes. The flip, "Splice" is much more | |
| | aggressive and dangerous affair. Razor sharp | |
| | beats slice through the air as a sinister | |
| | drone fills the background, hinting at future | |
| | technology. A distorted and grainy string | |
| | gives a film-like essence as track builds to | |
| | itis cinematic breakdown. A technical, yet | |
| | controlled midrange bass drags you into the | |
| | dark depths of "Splice" as the technical | |
| | break rolls out, with strong edits keeps | |
| | things switching up. Effected drums break | |
| | apart and reform, stretch out and stutter | |
| | throughout Splice's relentless, yet minimal | |
| | assault. | |
| | | |
`-------+- +-------`: __. ____ _____ ____ __
\ |___( _ /_\ _/_\__ )_\ |___: / | / /___/ | / _ | | /: | . :
| | | | | | | | | | |: | | |
| | | | | | | | | | |
| | | | | | | | | | | | d i s c l a i m e r: |
`--| | | | | | | | | | |----------------------------------+--+--+---'
| | | | | | | | | | |: | | |
|__|__|_____|_____|_____|_____|: | :: | |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
`---------------------------------------------------------/ |
/____________________|: sour productions(c) 1999-2009

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