Cory Morrow Outside the Lines 2002

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Cory Morrow - Outside the Lines
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Artist...............: Cory Morrow
Album................: Outside the Lines
Genre................: Country
Year.................: 2003
Codec................: FhG
Version..............: MPEG 1 Layer III
Quality..............: CBR 192, (avg. bitrate: 192kbps)
Channels.............: Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Posted by............: bitsarah.com on 1/2/2009
Included.............: NFO, SFV, M3U

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Tracklisting
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1. (00:03:26) Cory Morrow - Outside the Lines
2. (00:03:40) Cory Morrow - (Love Me) Like You Used to Do It
3. (00:03:58) Cory Morrow - In Spite of Spite
4. (00:03:30) Cory Morrow - Friend of the Devil
5. (00:05:11) Cory Morrow - Take Me Away
6. (00:04:38) Cory Morrow - More Than Perfect
7. (00:04:54) Cory Morrow - Straight to Hell
8. (00:04:41) Cory Morrow - Drinkin' Alone
9. (00:04:11) Cory Morrow - Dance by the Rio Grande
10. (00:03:47) Cory Morrow - Misty Shade of Blue
11. (00:03:46) Cory Morrow - All Over Again
12. (00:03:30) Cory Morrow - Better Than Being in Love With You
13. (00:02:38) Cory Morrow - Sunday Drivin'

Playing Time.........: 00:51:50
Total Size...........: 71.95 MB

NFO generated on.....: 1/2/2009 5:20:50 PM

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Popular on the Lone Star college circuit and barely known outside it, Cory
Morrow is a very fortunate son of Texas. His native state has given him
plenty of roadhouse troubadours to emulate, a loyal audience that embraces
him as its own, and the pick of Austin-based musicians to add substance to an
artistry that might otherwise seem pretty shallow. Co-produced by the
ubiquitous Lloyd Maines (Joe Ely, Jerry Jeff Walker, Pat Green), Morrow's
music substitutes pleasant and sincere for striking and original. Though he
shows more thematic ambition than on previous releases (reaching a little too
far on the vaguely spiritual "In Spite of Spite"), his material still tends toward
the clichéd ("Take Me Away") and the generic ("Dance by the Rio Grande"). A
serviceable cover of the Grateful Dead's "Friend of the Devil" highlights that
song's bluegrass roots, while Morrow's version of Drivin N Cryin's "Straight to
Hell" bristles with more conviction than he brings to his own material. --Don
McLeese
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