Head on over TODAY and become a member of our exciting new site MyAnonamouse.net for the BEST in audiobook, ebooks and ALL things for the musician such as sheets, music books, instructional videos, etc. See you there! http://www.myanonamouse.net
Argerich Concert Videos Part 1
Martha Argerich (born June 5, 1941) is an Argentine concert pianist. Her aversion to the press and publicity has resulted in her remaining out of the limelight for most of her career. Nevertheless, she is widely recognized as one of the greatest modern-day pianists. In a 2001 article about Martha Argerich for The New Yorker, critic Alex Ross wrote: "Argerich brings to bear qualities that are seldom contained in one person: she is a pianist of brainteasing technical agility; she is a charismatic woman with an enigmatic reputation; she is an unaffected interpreter whose native language is music. This last may be the quality that sets her apart. A lot of pianists play huge double octaves; a lot of pianists photograph well. But few have the unerring naturalness of phrasing that allows them to embody the music rather than interpret it."
Argerich was born in Buenos Aires and started playing the piano at age three (the ancestry of the Argerich name is uncertain: some say it is Catalonian, while others maintain it originates from Croatia). At age five, she moved to teacher Vincenzo Scaramuzza who stressed to her the importance of lyricism and feeling. She gave her debut concert in 1949 at the age of eight, playing Beethoven's Piano Concerto No. 1 in C major, Op. 15. In 1950, she played Mozart's Piano Concerto No. 20 in D minor, K. 466 and Bach's French Suite in G major, BWV 816.
The family moved to Europe in 1955 where Argerich studied with Friedrich Gulda in Austria. She later studied with Arturo Benedetti Michelangeli and Stefan Askenase. In 1957, at sixteen, she won both the Geneva International Music Competition and the Ferruccio Busoni International Competition within three weeks of each other. It was at the latter that she met Michelangeli, whom she would later seek out for lessons during a personal artistic crisis at the age of twenty. However, she saw him a mere four times in a year, and so he was not a big influence on her. Her greatest influence was Gulda, with whom she studied for a year and a half.....