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Buxtehude: Membra Jesu nostri Suzuki, Bach Collegium Japan

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Buxtehude: Membra Jesu nostri Suzuki, Bach Collegium Japan

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Name:Buxtehude: Membra Jesu nostri Suzuki, Bach Collegium Japan

Total Size: 260.10 MB

Magnet: Magnet Link

Seeds: 0

Leechers: 0

Stream: Watch Online @ Movie4u

Last Updated: 2016-01-09 13:44:18 (Update Now)

Torrent added: 2009-08-23 05:34:25





Torrent Files List


Torrent_downloaded_from_Demonoid.com.txt (Size: 260.10 MB) (Files: 45)

 Torrent_downloaded_from_Demonoid.com.txt

0.05 KB

 track listing.txt

2.28 KB

 Buxtehude - Suzuki - Membra Jesu Nostri.log

12.77 KB

 back.jpg

525.11 KB

 front.jpg

842.10 KB

 25 V. Ad Pectus- Sonata.flac

2.71 MB

 19 IV. Ad Latus- Sonata.flac

2.10 MB

 01 I. Ad Pedes- Sonata.flac

2.86 MB

 35 VII. Ad Faciem- Sonata.flac

3.08 MB

 13 III. Ad Manus- Sonata.flac

4.03 MB

 02 I. Ad Pedes- 'Ecce super montes'.flac

4.60 MB

 10 II. Ad Genua- 'Quid sum tibi responsurus' (A).flac

4.64 MB

 38 VII. Ad Faciem- 'Dum me mori est necesse' (A).flac

4.79 MB

 09 II. Ad Genua- 'Salve Jesu, rex sanctorum' (T).flac

4.99 MB

 36 VII. Ad Faciem- 'Illustra faciem tuam'.flac

5.11 MB

 07 II. Ad Genua- Sonata in tremulo.flac

5.18 MB

 23 IV. Ad Latus- 'Hora mortis meus' (SII).flac

5.23 MB

 11 II. Ad Genua- 'Ut te quaeram mente pura' (SSB).flac

5.32 MB

 37 VII. Ad Faciem- 'Salve, caput cruentatum' (ATB).flac

5.36 MB

 21 IV. Ad Latus- 'Salve latus salvatoris' (SI).flac

5.46 MB

 27 V. Ad Pectus- 'Salve, salus mea, Deus' (A).flac

5.51 MB

 22 IV. Ad Latus- 'Ecce tibi appropinquo' (ATB).flac

5.89 MB

 28 V. Ad Pectus- 'Pectus mihi confer mundum' (T).flac

5.98 MB

 03 I. Ad Pedes- 'Salve mundi salutare' (SI).flac

6.28 MB

 17 III. Ad Manus- 'In cruore tuo lotum' (ATB).flac

6.36 MB

 15 III. Ad Manus- 'Salve Jesu, pastor bone' (SI).flac

6.44 MB

 29 V. Ad Pectus- 'Ave, verum templum Dei' (B).flac

6.49 MB

 04 I. Ad Pedes- 'Clavos pedum' (SII).flac

6.68 MB

 16 III. Ad Manus- 'Manus sanctae, vos amplector' (SII).flac

6.68 MB

 05 I. Ad Pedes- 'Dulcis Jesu' (B).flac

6.71 MB

 20 IV. Ad Latus- 'Surga, amica mea'.flac

6.84 MB

 24 IV. Ad Latus- 'Surge, amica mea' repetatur.flac

7.02 MB

 08 II. Ad Genua- 'Ad ubera portabimini'.flac

7.05 MB

 12 II. Ad Genua- 'Ad ubera portabimini' repetatur.flac

7.32 MB

 31 VI. Ad Cor- Sonata.flac

7.60 MB

 14 III. Ad Manus- 'Quid sunt plagae istae'.flac

7.69 MB

 18 III. Ad Manus- 'Quid sunt plagae istae' repetatur.flac

7.91 MB

 26 V. Ad Pectus- 'Sicut modo geniti infantes' (ATB).flac

8.61 MB

 34 VI. Ad Cor- 'Vulnerasti cor meum' repetatur.flac

8.78 MB

 06 I. Ad Pedes- 'Ecce super montes' repetatur.flac

8.82 MB

 32 VI. Ad Cor- 'Vulnerasti cor meum' (SSB).flac

8.88 MB

 30 V. Ad Pectus- 'Sicut modo geniti infantes' repetatur.flac

9.39 MB

 39 VII. Ad Faciem- 'Cum me jubes emigrare , Amen'.flac

10.91 MB

 33 VI. Ad Cor- Arias (SI, SII, B).flac

11.64 MB

 booklet.pdf

11.79 MB
 

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Torrent description

Dieterich Buxtehude (ca. 1637 - 1707)
Membra Jesu nostri, BuxWV 75
(cantata in 7 sections )

Masaaki Suzuki, Bach Collegium Japan

Bach Collegium Japan Official Homepage: http://www.bach.co.jp/

Membra Jesu nostri
The largest extant work by the brilliant organist-composer of the St, Mary Church of Lübeck, Germany. A Passion cycle for chorus, solo voices and chamber orchestra, the structural form of this work (7 cantatas X 6 interior parts in each, with 3 arias or half-strophes, two for solo voice and one for vocal trio; and the 7 key centers) follows, with additional Old Testament quotes, the seven-part schema of a medieval poem, the "Rhythmica oratio ad unum quodlibet membrorum Christi patientis et a cruce pendentis" ascribed to Bernard of Clairvaux, which contains seven mystical meditations on the different parts of the crucified Jesus's body:
I. Ad Pedes (To The Feet) in c-minor, opening with a sonata for strings, with a tenor cry "Salve" followed by a moving five-part choral response;
II. Ad Genua (To The Knees) in E-flat major, opens with a mysterious "Sonata in Tremulo" with the strings slowly approaching as if from nowhere with a pulsing cycle of extraordinarly modulating chords, as if circling in the air it almost disappears, and then approaches again to cadence, when the choir takes over on the same progression in canon, followed by tenor and contralto arias and a trio;
III. Ad Manus (To the Hands) in g-minor, in which the voices echo the opening string sonata with imitation of the constant alternation between slow, suspended, and twisting passages expressing feelings of pathos, and strong, faster, declamatory choruses;
IV. Ad Latus (To the Side) in d-minor, opening with a simple sonata in 6/4 time around a bridge of suspensions (a compositional device perfected by J.S. Bach), and continuing with chorus, soprano aria and trio with some unusual modulations;
V. Ad Pectus (To the Chest) in a-minor, with a vocal trio instead of chorus delivering the text;
VI. Ad Cor (To the Heart) is scored for an unusual quintet of viol de gambas with harpsichord continuo, adding a muted, interior texture to the deeply moving passages;
VII. Ad Faciem (To the Face) returning to c-minor, brings back the choir for several magnificient passages, including a joyous "Amen" chorus in 6/4 time.
- www.allmusic.com

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