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Wolf Parade At Mount Zoomer 2008 RTB Data Force net

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ARTIST: Wolf Parade
TITLE: At Mount Zoomer
LABEL: Sub Pop
GENRE: Indie
BITRATE: 200kbps avg
PLAYTIME: 0h 46m total
RELEASE DATE: 2008-06-17
RIP DATE: 2008-06-12

Track List
----------
1. Soldier's Grin 4:37
2. Call It A Ritual 2:45
3. Language City 5:02
4. Bang Your Drum 3:10
5. California Dreamer 6:00
6. The Grey Estates 3:26
7. Fine Young Cannibals 6:31
8. An Animal In Your Care 4:19
9. Kissing The Beehive 10:52

Release Notes:

Recorded and engineered by drummer Arlen Thompson, At Mount Zoomer is Wolf
ParadeÆs second album for Sub Pop. Their first, Apologies to the Queen Mary,
came out in the fall of 2005 and was described by Uncut magazine as, ôfrequently
appealing.ö

Singer/guitarist Dan Boeckner: ôAfter Apologiesà we wrote about four or five new
songs, but we decided to throw them out because they sounded too much like what
weÆd already done. We could have easily made another Apologiesà but what would
have been the point?ö Instead, the band committed itself to a period of
experimentation, recording long improvisational sessions in the Montreal church
owned by The Arcade Fire. These tracks were then cut and pasted into discrete
compositions. The result is a complex matrix of components and modules that,
thanks to the collective efforts of each band member, never feels labored or
fussy. From the nimble opening strains of ôSoldierÆs Grinö to the eleven-minute
aggro dirge of ôKissing the Beehive,ö they hand authority of the songs around
among them with a refreshing absence of ownership. Where Apologiesà could be
read as a good-natured, sweaty volleyball match between Boeckner and
singer/keyboardist Spencer Krug, the new album shows the band as a fully
coordinated moving front. This collaboration isnÆt just a work ethicùthe bandÆs
many offshoots, side projects, and domestic ventures have taken each of them far
from their home base in Montreal for extended periods, compressing their time as
a functioning unit. ôItÆs hard enough to get us all in the same room at the same
time,ö Krug said of the bandÆs approach, ôso when we do get to write songs there
isnÆt really time for our egos to get in the way.ö

The legion of bearded, sweater-vested critics will want to file this album under
æProg RockÆ because it doesnÆt offer up sugary cast-offs for the
short-attention-span set, but no one ever danced to The Lamb Lies Down on
Broadway. It might instead be this generationÆs Marquee Moon, or an indie rock
Chinese Democracy released thirty years early and sixty million dollars under
budget (and without cornrows, to boot). Better, though, to think of it as the
sound of a band edging forward into a wispy darkness, one hand reaching out, the
other firmly clutching the past.

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