CHICK COREA 1985 Vinyl Rip, Flac, Cue Septet ECM 1297 (827 258 1)

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Name:CHICK COREA 1985 Vinyl Rip, Flac, Cue Septet ECM 1297 (827 258 1)

Total Size: 222.69 MB

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CHICK COREA [1985] Septet [ECM 1297 (827-258-1)].rar (Size: 222.69 MB) (Files: 1)

 CHICK COREA [1985] Septet [ECM 1297 (827-258-1)].rar

222.69 MB


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CHICK COREA - Septet [ECM 1297 (827-258-1)]

01. Septet 1st Movement [0:01:58.72]
02. Septet 2nd Movement [0:02:19.62]
03. Septet 3rd Movement [0:08:06.72]
04. Septet 4th Movement [0:05:27.11]
05. Septet 5th Movement [0:09:57.42]
06. The Temple Of Isfahan [0:13:48.50]

Chick Corea Piano
Ida Kavafian violin
Theodore Arm Violin
Steven Tenenbom viola
Fred Sherry Cello
Steve KujaSa Fiuta
Peter Gordon French Horn

Recorded October 1984 at Mad Hatter Studios, Los Angeles, CA
Engineer: Bernie Kirsh
Assistant Engineer: Jeff Vaughn
Digitally mixed at Tonstudio Bauer, Ludwigsburg
Engineer: Martin Wieland Cover Design: Barbara Wojirsch Produced by Chick Corea
An ECM Production
Composed by Chick Corea Published by Litha Music (ASCAP)
Chick Corea plays a Busendorfer Piano, Model No. 275
Chick Corea Management: Ron Moss Musicians Services 2635 Griffith Park Blvd. Los Angeles, CA 90039
ECM Records GleichmannstraBe 10 8000 Munchen 60
©1985 ECM Records GmbH
The Chamber Music Society of Lincoln Center commissioned me to compose a piece of chamber music for
the New World Festival held in Miami on June 13,1982. Fred Sherry, who has been associated with the
Society for some time, originally proposed the idea to them. The result was the Septet
There was a subsequent set of performances in New York the following January 9th, 1983, ending with
a PBS "Live from Lincoln Center" broadcast. Finally, in September/October 1984 I reformed the group
for a concert tour of the United States at the end of which this recording was made.
Writing the Septet was my first venture as a composer into creating a through-written piece of this
length and complexity. I must say I had great fun doing it. I began with no idea of form but only the
idea that I would improvise the form as I wrote. I just kept writing until I ran out of time and then
composed an ending. The rhythmic interdependency of each part is what creates the technical challenge
of playing this piece. Ida, from the first violin position, and Fred, from the cello position, carve
the guidelines of performance.
The Temple of Isfahan (originally titled Isfahan) is a reworking of a piece that I composed for
Al DiMeola as a guitar soloist with string quartet and piano. In the present version, the French horn
and the flute divide what was the guitar solo part.
My thanks to all the musicians for pouring their hearts into this project and to Manfred Eicherfor
his support by including it in the ECM catalogue.
Chick Corea
July 18,1985

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