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The Best Of The Danny Kaye Show (1963 1967) classic comedy

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The Best Of The Danny Kaye Show (1963 1967) classic comedy

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Name:The Best Of The Danny Kaye Show (1963 1967) classic comedy

Infohash: 299EB7C4770666DB5BB2C864D4C3629D8AD70278

Total Size: 699.38 MB

Seeds: 3

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2017-05-09 00:17:14 (Update Now)

Torrent added: 2009-01-03 20:36:07






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The Best Of The Danny Kaye Show (1963-1967).avi (Size: 699.38 MB) (Files: 4)

 The Best Of The Danny Kaye Show (1963-1967).avi

699.11 MB

 The Best Of The Danny Kaye Show (1963-1967).jpg

279.49 KB

 The Best Of The Danny Kaye Show (1963-1967).txt

3.59 KB

 Torrent_downloaded_from_Demonoid.com.txt

0.05 KB
 

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Torrent description

AVI File Details
========================================
Name.........: The Best Of The Danny Kaye Show (1963-1967).avi
Filesize.....: 699 MB (or 715,886 KB or 733,067,264 bytes)
Runtime......: 01:18:01 (140,300 fr)
Video Codec..: XviD
Video Bitrate: 1140 kb/s
Audio Codec..: 0x0055(MP3) ID'd as MPEG-1 Layer 3
Audio Bitrate: 104 kb/s (52/ch, stereo) VBR LAME3.97
Frame Size...: 528x400 (1.32:1) [=33:25]



http://en.wikipedia.org/wiki/Danny_Kaye

http://www.imdb.com/title/tt0056748/


"Danny Kaye made his film debut in a 1935 comedy short entitled Moon Over Manhattan. In 1937 he signed with New York-based Educational Pictures for a series of two-reel comedies. Kaye usually played a manic, dark-haired, fast-talking Russian in these low-budget shorts, opposite young hopefuls June Allyson or Imogene Coca. The Kaye series ended abruptly when the studio shut down permanently in 1938.

Kaye scored a personal triumph in 1941, in the hit Broadway comedy Lady in the Dark. His show-stopping number was "Tchaikovsky", by Kurt Weill and Ira Gershwin, in which he sang the names of a whole string of Russian composers at breakneck speed, seemingly without taking a breath.

His feature film debut was in producer Samuel Goldwyn's Technicolor 1944 comedy Up in Arms, a remake of Goldwyn's Eddie Cantor comedy Whoopee! (1930). Goldwyn agonized over Kaye's ethnic, Borscht-belt looks and ordered him to undergo a nose job. Kaye refused, and Goldwyn found another way to brighten Kaye's dark features by lightening his hair, giving him his trademark redheaded locks. Kaye's rubber face and fast patter were an instant hit, and rival producer Robert M. Savini cashed in almost immediately by compiling three of Kaye's old Educational Pictures shorts into a makeshift feature, The Birth of a Star (1945).

Kaye starred in several movies with actress Virginia Mayo in the 1940s, and is well known for his roles in films such as The Secret Life of Walter Mitty (1947), The Inspector General (1949), On the Riviera (1951) co-starring Gene Tierney, White Christmas (1954, in a role originally intended for Fred Astaire, then Donald O'Connor), Knock on Wood (1954), The Court Jester (1956), and Merry Andrew (1958). Kaye starred in two pictures based on biographies, Hans Christian Andersen (1952) about the Danish story-teller, and The Five Pennies (1959) about jazz pioneer Red Nichols. His wife, writer/lyricist Sylvia Fine, wrote many of the witty, tongue-twisting songs Danny Kaye became famous for. Some of Kaye's films included the theme of doubles, two people who look identical (both played by Danny Kaye) being mistaken for each other, to comic effect. The Kaye-Fine marriage, as was the case with many spouses who worked together in the high-pressure world of film-making, was sometimes stormy."


From IMDB.com: - "Danny Kaye Was Never Better Than On This Show, 18 April 2005

Author: Bob from United States

I remember one skit that Kaye did on this show -- he played a long-haired classical piano maestro -- in full tux and tails -- sitting down majestically on his piano stool before a full orchestra --- majestically striking the keys of the grand piano in the intro of what we -- the presumed audience -- thought would be "Thaikovsky's Piano Concerto #1", but which ended up, instead, to be "In The Blue Ridge Mountains of Virginia". The studio audience roared. So did I. Long hair flailing about as he pounded on the keys. The orchestral musical accompaniment was worthy of any classical music concert hall or orchestra you have ever heard on NPR. This skit was a true "classic". No one does this kind of stuff any more. What a shame."

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