Kelly Clarkson Thankful (2003)FLAC EAC CUE

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Kelly Clarkson Thankful (2003)FLAC EAC CUE

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Name:Kelly Clarkson Thankful (2003)FLAC EAC CUE

Total Size: 317.19 MB

Magnet: Magnet Link

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Stream: Watch Full Movie @ Movie4u

Last Updated: 2017-11-02 23:30:55 (Update Now)

Torrent added: 2008-12-23 00:36:41

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Torrent Files List

01 - Kelly Clarkson - The Trouble With Love Is .flac (Size: 317.19 MB) (Files: 21)

 01 - Kelly Clarkson - The Trouble With Love Is .flac

24.77 MB

 02 - Kelly Clarkson - Miss Independent .flac

23.03 MB

 03 - Kelly Clarkson - Low .flac

25.17 MB

 04 - Kelly Clarkson - Some Kind of Miracle .flac

24.33 MB

 05 - Kelly Clarkson - What's Up Lonely .flac

27.76 MB

 06 - Kelly Clarkson - Just Missed The Train .flac

30.19 MB

 07 - Kelly Clarkson - Beautiful Disaster .flac

31.86 MB

 08 - Kelly Clarkson - Kelly Clarkson featuring Tamyra Gray , You Thought Wrong .flac

27.85 MB

 09 - Kelly Clarkson - Thankful .flac

19.39 MB

 10 - Kelly Clarkson - Anytime .flac

28.27 MB

 11 - Kelly Clarkson - A Moment Like This [New Mix] .flac

25.87 MB

 12 - Kelly Clarkson - Before Your Love [New Mix] .flac

28.45 MB



68.63 KB


52.46 KB


82.40 KB


40.03 KB

 Kelly Clarkson - Thankful.m3u

1.20 KB


2.31 KB


3.32 KB

 Torrent downloaded from Demonoid.com.txt

0.05 KB

 Track list.txt

0.46 KB

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Torrent description

Kelly Clarkson - Thankful - (2003)[FLAC-EAC-CUE]

Track list

Kelly Clarkson - Thankful

01. The Trouble With Love Is 03:41
02. Miss Independent 03:34
03. Low 03:28
04. Some Kind of Miracle 03:39
05. What's Up Lonely 04:09
06. Just Missed The Train 04:11
07. Beautiful Disaster 04:12
08. Kelly Clarkson featuring Tamyra Gray / You Thought Wrong 03:50
09. Thankful 03:02
10. Anytime 04:07
11. A Moment Like This [New Mix] 03:49
12. Before Your Love [New Mix]

Biography by Heather Phares

The winner of Fox TV's first American Idol: The Search for a Superstar competition during the summer of 2002, Kelly Clarkson went from an anonymous talent to a nationally known singer, performing for an audience of millions of viewers. One of the show's most naturally gifted singers, the 20-year-old Burleson, TX, native's vocal talents were discovered when she was in seventh grade, when her school's choir teacher heard her singing and urged Clarkson to join the choir. After high school, Clarkson cultivated her voice and went to Hollywood to make her name; she appeared as an extra on an episode of Sabrina, the Teenage Witch but no other opportunities materialized.
Upon returning to Burleson, Clarkson worked at a movie theater, promoted Red Bull energy drinks, and ultimately worked as a cocktail waitress at a comedy club before entering the American Idol contest. One of 10,000 aspiring singers, Clarkson distinguished herself not only with her big, surprisingly mature voice, but also with her down-to-earth charm and sense of humor; at one of her auditions, she switched places with judge Randy Jackson, who did an impromptu version of R. Kelly's "I Believe I Can Fly." Over the course of the 13-week show, her consistently strong performances of songs like "Respect," "Natural Woman," "Stuff Like That There," and "Without You" earned Clarkson enough audience votes to claim one of the contest's two finalist positions. After singing "A Moment Like This" and "Before Your Love," both of which were written for the show, Clarkson won the American Idol contest with 58 percent of the audience's votes. In addition to the show's prize of one million dollars and a recording contract with RCA, Clarkson secured a deal with Creative Artists Agency and several bookings, including the national American Idol tour and a performance of the national anthem at the September 11 commemoration at Washington, D.C.'s Lincoln Memorial.
Despite her newfound fame, Clarkson opted to remain in Texas rather than move to New York or Los Angeles. Her first single, "A Moment Like This," was released just two weeks after she won the contest and quickly earned platinum sales. Clarkson's debut full-length, Thankful, was released in spring of 2003, just in time to coincide with the second season of American Idol and right before the American Idol movie, From Justin to Kelly. Breakaway followed in late 2004 and was a huge success, selling over five million copies (making it the third best-selling album of 2005) and spawning the hit singles "Because of You," "Behind These Hazel Eyes," and "Since U Been Gone." That song and Breakaway earned Grammys for Best Female Pop Vocal Performance and Best Pop Vocal Album, respectively, at the 48th Annual Grammy Awards in early 2006. Clarkson continued her busy touring schedule that spring and summer and announced plans for her third album.
In 2007, Clarkson released My December the studio follow-up to Breakaway. Notable as Clarkson's first foray into writing or co-writing most of the songs, My December had a darker, even more rock-oriented edge than its predecessor and even featured a guest appearance by punk icon bassist Mike Watt.

Review by Stephen Thomas Erlewine

Anybody older than 18 who's watched American Idol for any length of time will undoubtedly find the similarities between this talent contest and such square '60s/'70s variety programs like The Andy Williams Show startling and unavoidable. Whenever the kids are hauled out to sing an oldie or stumble through a production number, AmIdol goes into a time warp, particularly because they're nearly always singing the same songs that would have shown up on The Andy Williams Show those many years ago. That's because this is a show-biz creation, not an organic pop phenomenon. It goes for the choreographed razzle-dazzle, it has the sense of "let's put on a show!" and it's about the televised show; the music is there to serve the program, not vice versa.
This makes for splendid entertainment, but the format of the show and its inherent squareness do make it difficult for contest winners to appeal to listeners their own age, since the show has positioned them to be as unhip as possible. Take Kelly Clarkson, the winner of the first American Idol, aired in 2002. Her first single, "A Moment Like This," may have been a number one hit, but it was such a staid adult contemporary tune that it suggested that her career was over before it really began, since it was not a work that played to her age or audience, and it gave her no room to grow. Somebody — whether it was Kelly herself or her monolithic management — realized that she was not on a path to either a long career or a successful one-shot album and rethought the game plan for her much-delayed debut album, Thankful. Originally, this album was going to come out mere months after the end of the original American Idol, but it was delayed for a variety of reasons, including Clarkson's taxing schedule and difficulty in cobbling together workable material. Ultimately, the decision to delay the record paid off, because Thankful is a sharp, versatile modern pop record, showcasing her voice, to be sure, but being much better than expectations, much better than the scores of flop diva records that cluttered the pop landscape in late 2002. Why? There are many reasons, but the biggest is that everybody involved managed to make Kelly Clarkson seem younger and hipper without slutting her up like Christina Aguilera (who, ironically, co-wrote "Miss Independent," the first single from Thankful) while retaining a strong sense of melodic songcraft. She still can appeal to a wide, mature audience, but no longer does the music sound quite so static. Witness the new mix of "A Moment Like This" — it's still the same treacly song, but it now breathes; it doesn't sound stiff and reserved, it gives Kelly's voice room to roam. It's a major step forward toward a fresh sound, and Thankful follows through on its promise, delivering dance-pop that's catchy and flirty without being trampy and ballads that are tasteful without being boring. Amazingly, the album has a light, effortless touch, an impressive feat considering that it was certainly as overworked as any of the big, leaden diva discs of 2002. Much credit is due to executive producer Clive Davis, who masterminded the effort, deftly balancing the dance and ballad sides, making it sound easy. But the record simply wouldn't work without Clarkson, who can navigate the shifts in sound with vigor and personality. Although it hardly breaks any new ground, Thankful is much more demanding than an episode of American Idol, since it's all new material covering the spectrum of mainstream pop music. Throughout this record, she makes it seem effortless and charming. She can croon, she can belt out a song, she can be sexy and sassy while still being graceful and as wholesome as the girl next door. After listening to Thankful, it's hard to imagine any of 2003's American Idol contestants — including the two favorites, loverman Ruben Studdard and clenched, show tune-loving Clay Aiken, since both have taken one sound and driven it into the ground — being able to produce a record so versatile while sounding like it's all so easy. True, Thankful isn't a record that's earth-shaking, but in 2003 it is something special all the same: an unapologetically mainstream record that works and is very enjoyable. Maybe American Idol really does turn out pop stars.


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