Drum N Bass

Cause 4 Concern Panademic LP Part 5 C4CUK005 VINYL 2008 sourTheSurgeons org

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Cause 4 Concern Panademic LP Part 5 C4CUK005 VINYL 2008 sourTheSurgeons org

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Torrent info

Name:Cause 4 Concern Panademic LP Part 5 C4CUK005 VINYL 2008 sourTheSurgeons org

Infohash: C3090F0825316287A77ED6BAA437CAF08A212D71

Total Size: 16.40 MB

Seeds: 7

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2010-10-27 12:23:47 (Update Now)

Torrent added: 2008-11-08 16:49:26






Torrent Files List


00-cause_4_concern-panademic_lp_part_5-c4cuk005-vinyl-2008-sour.m3u (Size: 16.40 MB) (Files: 5)

 00-cause_4_concern-panademic_lp_part_5-c4cuk005-vinyl-2008-sour.m3u

0.07 KB

 00-cause_4_concern-panademic_lp_part_5-c4cuk005-vinyl-2008-sour.sfv

0.09 KB

 b-cause_4_concern-farside-sour.mp3

7.49 MB

 a-cause_4_concern-dream_killer-sour.mp3

8.90 MB

 00-cause_4_concern-panademic_lp_part_5-c4cuk005-vinyl-2008-sour.nfo

14.81 KB
 

Announce URL: http://thesurgeons.org/announce.php

Torrent description

___________________
__________________|_ | /______________|_
__________\ | | |
| | | |
| ______/_ ______ | ._______\_____ |
_|_ ___\ __/________\ /________| __\ _ )__ |
((___\ \\ \___ . __ . | . . /___ __|_
| | l | \/ | l | l // /____))
|_ | | | | | | |
__ / |_____,------|_____,------|____.------|____|------' |
\\/ / | | |
/_ .... | | ..... |
|: | `-----:---------------------------'
`-----------------------:----': design.by.ant1k: __ ____ _______
_(_/_( _ /_( _/ _ /_: \_ | | | |_ | |: | :
| | | | _/ | |: | : |
| | | | |
| | | | | | | | r e l e a s e i n f o: |
`--+ | | | | | +----------------------------------------------+--+--+---'
| | | | | | |: | | |
|__|__|__|__|_____|: | :: _______________/_
\ /: _\ rippers /____: release no ( 9826 ) \ rating |: \_____. |: artist (Cause 4 Concern ) | .---. |: title (Panademic LP Part 5 ) | 0 | | |: record label (C4C (C4CUK005) ) | 9 | | |: genre (Drum & Bass ) | 8 |%%%| |: release date (2008/11/05) | 7 |%%%| |: street date (2008/12/01) | 6 |%%%| |: | 5 |%%%| |: media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |: cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |: | 2 |%%%| |: | 1 |%%%| |: (02 tracks) (10:37 min) ( 16.4 mb) | `---' |: `----------': _. ____ ____ ____ __
( |_ .\ _ )_\__ )_( __/.__/ /: | __/_| _ _/ _ | | | /_ /_: | . :
| | | | | | | | | | |: | | |
| | | | | | | | | | |
| | | | | | | | | | | | t r a c k l i s t i n g: |
`--| | | | | | | | | | |----------------------------------+--+--+---'
| | | | | | | | | | |: | | |
|_____|__|__|_____|_____|__|__|: | :: nr times track titles
^-------^
| A 5:40 Cause 4 Concern - Dream Killer |
| B 4:57 Cause 4 Concern - Farside |
`----^-------^--------------------------------------------/ |
/____________________|: ____ ____ __. ____ ____ ____ ____
\ _ )_( _ /_\ |___( _ /_\__ )_( __/_( _ /_: | _ _/ /___/ | / /___/ _ |___ / /___/: | :
| | | | | | | | | | | | | | |: | : |
| | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | r e l e a s e n o t e: |
`--| | | | | | | | | | | | | | |------------------------+--+--+-'
| | | | | | | | | | | | | | |: | | |
|__|__|_____|_____|_____|_____|_____|_____|: | :: | |

| | | |
| | DREAM KILLER: Leading the listener into a | |
| | false sense of security, the ambient intro to | |
| | Dream Killer is almost false advertising. | |
| | Less than a minute in the mother of all meaty | |
| | riffs appears from nowhere, and winds up to | |
| | drop with drums that also mean serious | |
| | business. The only dreams this tune will kill | |
| | are those of empty or disinterested | |
| | dancefloors. | |
| | | |
| | FARSIDE: Unlike its friend on the flip, | |
| | Farside starts with a fully formed drum | |
| | pattern, allowing it to build to drop as | |
| | quickly as Dream Killer does. Beyond the drop | |
| | the sparse drums leave room for an already | |
| | hypnotic riff to worm its way into heads, | |
| | decreasing the chances of easy extraction. | |
| | While the A side projects powerfully, this | |
| | far side possesses more subtle finesse. | |
| | | |
| | DJ Support: Andy C, Friction, Hype, Bailey, | |
| | Goldie, Gridlok, Fierce, Concord Dawn, | |
| | Dieselboy, Zinc, Ed Rush, Bad Company, D | |
| | Bridge plus many more... | |
| | | |
`-------+- +-------`: __. ____ _____ ____ __
\ |___( _ /_\ _/_\__ )_\ |___: / | / /___/ | / _ | | /: | . :
| | | | | | | | | | |: | | |
| | | | | | | | | | |
| | | | | | | | | | | | d i s c l a i m e r: |
`--| | | | | | | | | | |----------------------------------+--+--+---'
| | | | | | | | | | |: | | |
|__|__|_____|_____|_____|_____|: | :: | |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
`---------------------------------------------------------/ |
/____________________|: sour productions(c) 1999-2008

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