Drum N Bass

Med School Martsman MEDIC12 VINYL 2008 sourthesurgeons org

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.___________________
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`-----------------------:----' : design.by.ant1k
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: : _\ rippers /____.
: : release no ( 9823 ) \ rating |
: : \_____. |
: : artist (Martsman ) | .---. |
: : title (Trueschool Drumkit Wonder / Sir Gordon...) | 0 | | |
: : record label (Med School (MEDIC12) ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2008/11/02) | 7 |%%%| |
: : street date (2008/11/24) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (02 tracks) (11:05 min) ( 18,2 mb) | `---' |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| A 5:34 Martsman - Trueschool Drumkit Wonder |
| B 5:31 Martsman - Sir Gordon Jumpmeister III |
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| | | |
| | German wunderproducer Martsman unleashes more | |
| | of his distinctive glitch-step d&b, having | |
| | clobbered dancefloors and radio stations | |
| | earlier this year with his debut Med School | |
| | single "8-Bit Bouncer" / "Halow". Martsman | |
| | lays down the gauntlet with some truly | |
| | inspiring and original music for those bored | |
| | of formulaic beats and tired d&b cliches. | |
| | Priding himself on releasing machine music, | |
| | this particular Martsman creation draws power | |
| | from the sounds of "Trueschool Drumkit | |
| | Wonder". The system is initiated by shuffling | |
| | percussion and a lead straight out of the | |
| | bleep-techno scene. The program then launches | |
| | into a digi-fuelled roll-out complete with | |
| | gear-grinding bass and engineered beats. | |
| | Flipside "Sir Gordon Jumpmeister III" opens | |
| | with a crunchy digital pulse and quivering | |
| | filtered pads before plasticising into a | |
| | squelching hybrid step-off, containing all | |
| | the robotic nuances we've come to expect from | |
| | a Martsman piece. Such is the genius of this | |
| | track, it can be simultaneously perceived as | |
| | a half-tempo stomper or a full on d&b rinse | |
| | out. Martsman has carved out an impressive | |
| | profile as DJ/producer in a short period of | |
| | time owing to an uncompromising amalgamation | |
| | of technical proficiency and unique creative | |
| | flair. He has won admiration right across the | |
| | musical spectrum, cemented by massive praise | |
| | from two of the leading champions of | |
| | electronic music: "One of the most | |
| | fascinating producers in drum and bass right | |
| | now, taking it way way deep" / Mary Anne | |
| | Hobbs (BBC Radio 1), "Electro-d&b business. | |
| | This is out there, this is crazy" / Fabio | |
| | (BBC Radio 1). | |
| | | |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2008 ]

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