01. Love Enuff 05:17
02. Ride On 04:12
03. How Long 04:01
04. Feeling 05:47
05. Universal Love 04:45
06. Be A Man 03:37
07. Zion 04:08
08. Don't You Dream 04:19
09. Game Dunn 01:53
10. Sunday 04:37
11. Pride 04:42
12. I Care (Soul II Soul) 04:48
13. B Groove 06:51
Biography by Stephen Thomas Erlewine
Led by producer/vocalist/songwriter Jazzie B., Soul II Soul were one of the most innovative dance/R&B outfits of the late '80s, creating a seductive, deep R&B that borrowed from Philly soul, disco, reggae, and '80s hip-hop. Originally featuring Jazzie B., producer/arranger Nellee Hooper, and instrumentalist Philip "Daddae" Harvey, the musical collective came together in the late '80s. The group had a residency at the Africa Centre in London's Covent Garden, which led to a record contract with 10, a subsidiary of Virgin. Two singles, "Fairplay" and "Feel Free," began to attract attention both in clubs and in the press.
Featuring the vocals of Caron Wheeler, Soul II Soul's third single, "Keep on Movin'," reached the U.K. Top Ten in March of 1989. Released in the summer of 1989, "Back to Life" also featured Wheeler and became another Top Ten hit. Soul II Soul released their debut album, Club Classics, Vol. 1, shortly afterward. The album was released in America under the title Keep on Movin'; both "Keep on Movin'" and "Get a Life" became substantial hits, propelling the album to double platinum status.
Wheeler left the group before the recording of the group's second album, Vol. II: 1990 - A New Decade. The album debuted at number one in the U.K., yet it caught the group in a holding pattern. Hooper soon left the collective, leaving Jazzie B. to soldier on alone. Hooper went on to work with several of the most influential and popular acts of the early '90s, including Massive Attack (Blue Lines), Björk (Debut and Post), Madonna (Bedtime Stories), and U2 ("Hold Me, Thrill Me, Kiss Me, Kill Me"). In 1992, Soul II Soul released Vol. III: Just Right, to both lukewarm reviews and sales. After the compilation Vol. IV: The Classic Singles, the group's next studio album, Vol. V: Believe, appeared in 1995.
Review by Stephen Thomas Erlewine
Six years after they revolutionized R&B and soul with their debut album, Keep on Movin', Soul II Soul returned with Vol. V: Believe. Since their debut, the soul collective had been struggling to regain their position as musical innovators; in the process, they turned out two confused albums that had their moments, but nothing quite as stirring as their initial singles, which were collected on the British-only Volume IV: The Classic Singles. Believe, their fourth album of original material, doesn't necessarily make a case for Soul II Soul as pioneers in the mid-'90s, but it does represent something of a comeback. Where their two previous albums were muddled affairs, Believe is clear and confident, filled with fully formed songs. It helps that Jazzie B, the leader of the group, has persuaded former members Caron Wheeler and Penny Ford to make appearances on the album, and has recruited some genuine new talent that helps spark him into recording his best music since the group's debut. Granted, it doesn't push down many boundaries, but Believe fits comfortably into the laid-back, jazz-saturated grooves of '90s R&B.