Comedy

East Side Kids Million Dollar Kid {1944 Leo Gorcey & Huntz Hall}

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East Side Kids Million Dollar Kid {1944 Leo Gorcey & Huntz Hall}

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Name:East Side Kids Million Dollar Kid {1944 Leo Gorcey & Huntz Hall}

Total Size: 650.15 MB

Magnet: Magnet Link

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Stream: Watch Online @ Movie4u

Last Updated: 2011-03-26 21:10:08 (Update Now)

Torrent added: 2008-10-21 16:35:59



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East Side Kids - Million Dollar Kid.avi (Size: 650.15 MB) (Files: 2)

 East Side Kids - Million Dollar Kid.avi

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The gang is befriended by a millionaire whom they save from a mugging. However, they begin to suspect that the man's son was actually one of the muggers. Knowing that the boy's father is still grieving for an older son he lost during the war, and would be devastated if he learned his only remaining son was a criminal, the gang sets out to reform the boy.

http://www.imdb.com/title/tt0037074/

In 1940 producer Sam Katzman, noting the financial success of other tough-kid series, made the film East Side Kids using two of the 'Little Tough Guys', Hally Chester and Harris Berger. He added former Our Gang player Donald Haines, Frankie Burke, radio actor Sam Edwards, and Eddie Brian to round out the new team. Despite its misleading title, East Side Kids does not contain the actors generally associated with the East Side Kids (Gorcey, Hall, Jordan, et al.). However, it is often lumped in with the subsequent series of 21 films, making the total appear to be 22. The first true film in 'The East Side Kids' series is Boys of the City.

Katzman hired Bobby Jordan to play leads in his series; he was soon joined by Leo Gorcey. Gorcey's brother David was added, as well as (Ernie) 'Sunshine' Sammy Morrison as "Scruno," the only African-American in the group and the very first member of the Our Gang comedy team.

In the first few films, Dave O'Brien (familiar from low-budget westerns and serials, and as the accident-prone star of the Pete Smith comedies) played Jordan's older brother Knuckles Dolan, who always seemed to be getting roped into chaperoning the kids from adventure to adventure. O'Brien appeared in different roles as well—continuity between films was often ignored. As with the Little Tough Guys, the membership of the team changed from film to film, until Huntz Hall joined in 1941, when the lineup was somewhat stabilized. In total, 20 actors were members of the team at one time or another.

Always the outsider, Gabriel Dell drifted in and out of the series as a gang-member, a reporter, or a small-time hoodlum (as in Million Dollar Kid). In Smart Alecks he's an ex-member who left the gang to pursue a life of crime. Stanley Clements also appeared in Smart Alecks as well as 'Neath Brooklyn Bridge and Ghosts on the Loose. After Gorcey left the subsequent "Bowery Boys" series in 1956, Clements was chosen to replace him in the last seven films.

Monogram (which later became Allied Artists) was notorious for its "Poverty Row" productions, and the East Side films were no exception. With a minuscule budget of around $33,000 per feature and a tight shooting schedule of only 5-7 days, the series churned out three or four movies a year (an astonishing 21 films in less than six years). There was no time or money for subtlety, story development, or more than one or two takes per scene.

The stories always centered around the tough, pugnacious "Muggs McGinnis" (Gorcey) or the more innocent, clean-cut "Danny" (Bobby Jordan). Huntz Hall's "Glimpy" began as a minor character who grew in prominence as he was allowed to do more comedy bits over the course of the series. The loose format proved flexible enough to shift back and forth between urban drama (That Gang of Mine), murder mystery (Boys of the City), boxing melodrama (Bowery Blitzkrieg), and horror-comedy (Spooks Run Wild), with the kids confronting various stock villains: gangsters, smugglers, spies, and crooked gamblers, along the way. The East Side films were problem-teen melodramas until 1943, when director William Beaudine joined the series and emphasized the comedy content. He encouraged the actors to improvise freely, adding to the films' spontaneous charm.

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