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(Demonoid com) Hiromi Uehara 5 Albums, separate FLACs, scans

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(Demonoid com) Hiromi Uehara 5 Albums, separate FLACs, scans

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Torrent info

Name:(Demonoid com) Hiromi Uehara 5 Albums, separate FLACs, scans

Total Size: 1.81 GB

Magnet: Magnet Link

Seeds: 1

Leechers: 0

Stream: Watch Online @ Movie4u

Last Updated: 2015-09-07 19:08:49 (Update Now)

Torrent added: 2008-10-17 01:50:07





Torrent Files List


Another Mind (Size: 1.81 GB) (Files: 72)

 Another Mind

  art

   audiochecker.log

1.59 KB

   front.jpg

45.17 KB

   info.txt

2.13 KB

  01. Hiromi - XYZ.flac

38.88 MB

  02. Hiromi - Double Personality.flac

74.85 MB

  03. Hiromi - Summer Rain.flac

42.50 MB

  04. Hiromi - Joy.flac

46.95 MB

  05. Hiromi - 010101.flac

54.83 MB

  06. Hiromi - Truth and Lies.flac

47.73 MB

  07. Hiromi - Dancando No Paraiso.flac

54.61 MB

  08. Hiromi - Another Mind.flac

51.86 MB

  09. Hiromi - The Tom and Jerry Show [bonus track].flac

22.19 MB

  Hiromi - Another Mind.wpl

1.18 KB

 Beyond Standard

  art

   audiochecker.log

1.59 KB

   cover a.jpg

132.71 KB

   cover b.jpg

142.16 KB

   cover inside 1.jpg

154.70 KB

   cover inside 2.jpg

75.93 KB

   cover inside 3.jpg

62.90 KB

   disc.jpg

110.54 KB

   info.txt

3.55 KB

  01. Hiromi - Intro Softly As In A Morning Sunrise.flac

1.10 MB

  02. Hiromi - Softly As In A Morning Sunrise.flac

47.29 MB

  03. Hiromi - Clair De Lune.flac

48.31 MB

  04. Hiromi - Caravan.flac

59.24 MB

  05. Hiromi - Ue Wo Muite Aruko.flac

51.72 MB

  06. Hiromi - My Favorite Things.flac

46.39 MB

  07. Hiromi - Led Boots.flac

46.31 MB

  08. Hiromi - XYG.flac

45.97 MB

  09. Hiromi - I've Got Rhythm.flac

20.55 MB

  Hiromi - Beyond Standard.wpl

1.38 KB

 Brain

  01. Hiromi - Kung-Fu World Champion.flac

43.40 MB

  02. Hiromi - If.flac

41.51 MB

  03. Hiromi - Wind Song.flac

29.82 MB

  04. Hiromi - Brain.flac

47.72 MB

  05. Hiromi - Desert on the Moon.flac

40.40 MB

  06. Hiromi - Green Tea Farm.flac

14.99 MB

  07. Hiromi - Keytalk.flac

55.28 MB

  08. Hiromi - Legend of the Purple Valley.flac

53.94 MB

  audiochecker.log

1.31 KB

  Hiromi - Brain.wpl

1.21 KB

 Spiral

  art

   back.jpg

1.10 MB

   cd.jpg

544.41 KB

   front.jpg

935.73 KB

   inlay.jpg

1.16 MB

   inside.jpg

989.36 KB

  01. Hiromi - Spiral.flac

52.18 MB

  02. Hiromi - Open Door - Tuning - Prologue.flac

52.58 MB

  03. Hiromi - Deja vu.flac

44.09 MB

  04. Hiromi - Reverse.flac

29.10 MB

  05. Hiromi - Edge.flac

30.03 MB

  06. Hiromi - Old Castle, by the river, in the middle of the forest.flac

47.26 MB

  07. Hiromi - Love and Laughter.flac

48.92 MB

  08. Hiromi - Return of Kung-Fu World Champion.flac

63.16 MB

  audiochecker.log

1.37 KB

  Hiromi - Spiral.wpl

1.26 KB

 Time Control

  Scans

   audiochecker.log

1.81 KB

   Front.jpg

3.37 MB

   Hiromi's Sonicbloom - Time Control.log

0.48 KB

   Inside 1.jpg

3.08 MB

   Inside 2.jpg

3.08 MB

  01 - Time Difference.flac

39.18 MB

  02 - Time Out.flac

38.81 MB

  03 - Time Travel.flac

48.39 MB

  04 - Deep into the Night.flac

50.95 MB

  05 - Real Clock vs. Body Clock = Jet Lag.flac

34.55 MB

  06 - Time and Space.flac

38.43 MB

  07 - Time Control, or Controlled by Time.flac

48.65 MB

  08 - Time Flies.flac

36.33 MB

  09 - Time's Up.flac

4.13 MB

  Hiromi - Time Control.wpl

0.90 KB

 Torrent downloaded from Demonoid.com.txt

0.05 KB
 

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Torrent description

Another Mind by Hiromi (Audio CD - 2003)


Brain by Hiromi (Audio CD - 2004)


Spiral by Hiromi (Audio CD - 2006)


Time Control by Hiromi (Audio CD - 2007)


Beyond Standard by Hiromi (Audio CD - 2008)


Hiromi's biography:

Hiromi is the recipient of 3 awards from 2006 Swing Journal Japan Jazz Readers Poll. She won for Jazzman of the Year and Piano of the Year and her newest release, Spiral, won for Album of the Year!

Pianist/composer Hiromi mesmerized the jazz community with her 2003 Telarc debut, Another Mind. The buzz started by her debut album spread all the way back to her native Japan, where Another Mind shipped gold (100,000 units) and won the Recording Industry Association of Japan's (RIAJ) “Jazz Album of the Year” Award. Hiromi's second release, Brain, followed a year later. Brain received Swing Journal's “New Star Award,” Jazz Life's “Gold Album,” HMV Japan's “Best Japanese Jazz Album” and the Japan Music Pen Club's “Japanese Artist Award.” When Swing Journal announced the results of its 2005 Readers Poll, Brain won “Album of the Year.” Hiromi takes it up another notch with her January 2006 release, Spiral.

Born in Shizuoka, Japan, in 1979, Hiromi took her first piano lessons at age six. She learned from her earliest teacher to tap into the intuitive as well as the technical aspects of music.

”Her energy was always so high, and she was so emotional,” Hiromi says of her first piano teacher. “When she wanted me to play with a certain kind of dynamics, she wouldn't say it with technical terms. If the piece was something passionate, she would say, 'Play red.' Or if it was something mellow, she would say, 'Play blue.' I could really play from my heart that way, and not just from my ears.”

Hiromi took that intuitive approach a step further when she enrolled in the Yamaha School of Music less then a year after her first piano lessons. By age 12, she was performing in public, sometimes with very high-profile orchestras. “When I was 14, I went to Czechoslovakia and played with the Czech Philharmonic,” she says. “That was a great experience, to play with such a professional orchestra.”

Further into her teens, her tastes expanded to include jazz as well as classical music. A chance meeting with Chick Corea when she was 17 led to a performance with the well-known jazz pianist the very next day.

”It was in Tokyo,” Hiromi recalls. “He was doing something at Yamaha, and I was visiting Tokyo at the time to take some lessons. I talked to some teachers and said that I really wanted to see him. I sat down with him, and he said 'Play something.' So I played something, and then he said, 'Can you improvise?' I told him I could, and we did some two-piano improvisations. Then he asked me if I was free the next day. I told him I was, and he said, 'Well, I have a concert tomorrow. Why don't you come?' So I went there, and he called my name at the end of the concert, and we did some improvisations together.”

After a couple years of writing advertising jingles for Nissan and a few other high-profile Japanese companies, Hiromi came to the United States in 1999 to study at the Berklee College of Music in Boston. For as open as her musical sensibilities had already been when she came to the U.S., the Berklee experience pushed her envelope even further.

”It expanded so much the way I see music,” she says. “Some people dig jazz, some people dig classical music, some people dig rock. Everyone is so concerned about who they like. They always say, 'This guy is the best,' 'No, this guy is the best.' But I think everyone is great. I really don't have barriers to any type of music. I could listen to everything from metal to classical music to anything else.”

Among her mentors at Berklee was veteran jazz bassist Richard Evans, who teaches arranging and orchestration. Evans co-produced Another Mind, her Telarc debut, with longtime friend and collaborator Ahmad Jamal, who has also taken a personal interest in Hiromi's artistic development. “She is nothing short of amazing,” says Jamal. “Her music, together with her overwhelming charm and spirit, causes her to soar to unimaginable musical heights.”

At 26, Hiromi stands at the threshold of limitless possibility, constantly drawing inspiration from virtually everyone and everything around her. Her list of influences, like her music itself, is boundless. “I love Bach, I love Oscar Peterson, I love Franz Liszt, I love Ahmad Jamal,” she says. “I also love people like Sly and the Family Stone, Dream Theatre and King Crimson. Also, I'm so much inspired by sports players like Carl Lewis and Michael Jordan. Basically, I'm inspired by anyone who has big, big energy. They really come straight to my heart.”

But she won't, as a matter of principle, put labels on her music. She'll continue to follow whatever moves her, and leave the definitions to others.

”I don't want to put a name on my music,” she says. “Other people can put a name on what I do. It's just the union of what I've been listening to and what I've been learning. It has some elements of classical music, it has some rock, it has some jazz, but I don't want to give it a name.”

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