Clarence Carter - This Is Clarence Carter (1968) MP3@256kbps

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Clarence Carter - This Is Clarence Carter (1968) MP3@256kbps

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Torrent info

Name:Clarence Carter - This Is Clarence Carter (1968) MP3@256kbps

Infohash: 65B63EA0243EF7B1D5322BBD83AB72A1A9707E59

Total Size: 57.54 MB

Seeds: 4

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2022-02-22 14:30:16 (Update Now)

Torrent added: 2014-02-16 13:35:46






Torrent Files List


01 - Do What You Gotta Do.mp3 (Size: 57.54 MB) (Files: 13)

 01 - Do What You Gotta Do.mp3

4.72 MB

 02 - Looking For A Fox.mp3

4.18 MB

 03 - Slippin' Around.mp3

4.85 MB

 04 - I'm Qualified.mp3

4.48 MB

 05 - I Can't See Myself.mp3

4.52 MB

 06 - Wind It Up.mp3

4.90 MB

 07 - Part Time Love.mp3

4.93 MB

 08 - Thread The Needle.mp3

4.82 MB

 09 - Slip Away.mp3

4.66 MB

 10 - Funky Fever.mp3

5.13 MB

 11 - She Ain't Gonna Do Right.mp3

4.54 MB

 12 - Set Me Free.mp3

5.76 MB

 front.jpg

47.44 KB
 

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Torrent description

Clarence George Carter (born January 14, 1936) is an American blues and soul singer, musician, songwriter and record producer. His most successful records included Slip Away, Back Door Santa (both 1968), Patches (1970), and Strokin (1985).

Born in Montgomery, Alabama on January 14, 1936,[1] Carter attended the Alabama School for the Blind in Talladega, Alabama, and Alabama State College in Montgomery, graduating in August 1960 with a Bachelor of Science degree in music.[2] His professional music career began with friend Calvin Scott, signing to the Fairlane label to release I Wanna Dance But I Dont Know How, as Clarence Calvin, the following year. After the 1962 release of I Dont Know (School Girl), the pair joined Duke Records, renaming themselves the C C Boys and releasing four singles for the label, though none were commercially successful. In 1965 the duo recorded Step by Step at Rick Halls FAME Studios in Muscle Shoals; it was released on the Atlantic Records subsidiary Atco label, but it again failed to chart.[3][4]

The duo performed regularly in clubs in Birmingham, Alabama in 1966. After Scott was seriously injured in an auto accident, Carter continued as a solo singer, and recorded for the Fame label. In 1967 he recorded Tell Daddy, which reached no.35 on the Billboard RB chart and inspired Etta James answer record, Tell Mama, for which Carter was credited as writer. At the end of 1967, Carter joined Atlantic Records. He then began a string of hits on the RB and pop charts, starting with Slip Away (no.2 RB, no.6 pop), which has been described as a superior cheating ballad spotlighting his anguished, massive baritone alongside the remarkably sinuous backing of Fames exemplary backing band,[3] and Too Weak To Fight (no.3 RB, no.13 pop). At the end of 1968, he had a seasonal pop hit with the raunchy and funky Back Door Santa (no.4 pop), and toured nationally.[3][5][6] His backing singers included Candi Staton; they married in 1970 and produced a son, Clarence Carter Jr., before divorcing in 1973.

Carter continued to have hits in 1969 and 1970, with Snatching It Back, The Feeling Is Right, Doin Our Thing, and I Cant Leave Your Love Alone all reaching both the US pop and RB charts. The B-side of Snatching It Back was a remake of a remake of James Carrs The Dark End of the Street. Carters biggest hit came in 1970 with his version of Patches, first recorded by Chairmen of the Board, which was a UK number 2 hit[7] and a US number 4. The record sold over one million copies, and received a gold disc awarded by the R.I.A.A. in September 1970, just two months after its release,[8] and won the Grammy Award for Best RB Song in 1971. Following Slip Away and Too Weak to Fight, it was Carters third million-seller.[8] However, Carters later record releases were less successful, and he left Atlantic at the end of 1971 to rejoin the Fame label. In 1975 he signed to ABC Records, releasing three albums including Loneliness and Temptation.[3][9] According to writer Brian Ward, Carter virtually made a career from tales of unbridled love and illicit sex...[10]

With the advent of disco in the mid 1970s, Carters career suffered.[9] However, he signed for Ichiban Records in 1985, and found a new audience with songs such as Strokin and Dr. C.C. in the 1980s and 1990s. Strokin was reputedly deemed too ribald for a public release or radio play, so the record company placed the records in jukeboxes, where bar patrons discovered the song.[11] Strokin was given further acclaim when it was used in the Eddie Murphy remake of The Nutty Professor. It was most recently used in William Friedkins film Killer Joe. Carters soul sound also found an audience within the then-nascent hip-hop community.[citation needed] Most notably, the horn break from Back Door Santa, is sampled in the Run-D.M.C. Christmas song Christmas in Hollis.
Carters later songs appealed (and still appeal) to a primarily African-American working-class audience that was also interested in contemporary blues artists such as Denise LaSalle, Bobby Rush, Marvin Sease and Sir Charles Jones. He has continued recording, releasing six albums for the Ichiban label and, since 1996, establishing his own Cee Gee Entertainment label.[12] He has also continued to tour regularly in the Southern states and internationally.[9]

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