1970 - Egg - Egg (Decca UK Original, 24-96)

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1970 - Egg - Egg (Decca UK Original, 24-96)

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Torrent info

Name:1970 - Egg - Egg (Decca UK Original, 24-96)

Infohash: DDEE5F394DF6974062578564FE425E4FD2B4FCDF

Total Size: 812.57 MB

Seeds: 0

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2012-09-21 21:35:05 (Update Now)

Torrent added: 2012-09-21 22:35:05






Torrent Files List


B2 - Movement 2.flac (Size: 812.57 MB) (Files: 19)

 B2 - Movement 2.flac

125.01 MB

 B1 - Movement 1.flac

119.59 MB

 B3 - Blane.flac

107.63 MB

 A6 - The Song Of Mcgillicudie The Pusillanimous.flac

106.88 MB

 A3 - I Will Be Absorbed.flac

106.19 MB

 A2 - While Growing My Hair.flac

79.89 MB

 B4 - Movement 4.flac

64.01 MB

 A4 - Fugue In D Minor.flac

54.87 MB

 A5 - They Laughed When I Sat Down At The Piano....flac

24.41 MB

 A7 - Boilk.flac

18.70 MB

 A1 - Bulb.flac

2.94 MB

 Covers

  Egg Back.jpg

1.45 MB

  Egg Front.jpg

681.94 KB

  Egg Label A.jpg

183.64 KB

  Egg Label B.jpg

122.56 KB

  Technical log.txt

6.80 KB

 Egg.jpg

25.40 KB

 1970 - Egg - Egg.cue

1.38 KB

 1970 - Egg - Egg.m3u

0.62 KB
 

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Torrent description

Egg - Egg - 1970

Decca Record, Deram, SDN 14, ZAL 9409P, Original UK Pressing

LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by PBTHAL VINYL RIPS

Side one

01 - Bulb (Peter Gallen) 0:09
02 - While Growing My Hair (Clive Brooks, Mont Campbell, Dave Stewart) 3:53
03 - I Will Be Absorbed (Brooks, Campbell, Stewart) 5:10
04 - Fugue In D Minor (Bach) 2:46
05 - They Laughed When I Sat Down At The Piano (Brooks, Campbell, Stewart) 1:17
06 - The Song Of McGillicudie The Pusillanimous (or dont worry James, your socks are hanging in the coal cellar with Thomas) (Brooks, Campbell, Stewart) 5:07
07 - Boilk (Brooks, Campbell, Stewart) 1:00

Side two

Symphony No. 2 (Brooks, Campbell, Stewart) 22:26
08 - Movement 1
09 - Movement 2
10 - Blane
11 - Movement 4

Companies etc

Recorded At Lansdowne Studios
Recorded At Trident Studios

Credits

Bass, Vocals Mont Campbell
Drums Clive Brooks
Organ, Piano, Audio Generator [Tone Generator] Dave Stewart

Arranged By Egg (2) (tracks: A4)
Design [Construction] Peter Chapman (4)
Engineer Peter Gallen, Roy Thomas Baker (tracks: A2)
Engineer [Assistant] Les Cunningham
Photography By [Back Cover] Rob Bennet
Photography By [Front Cover] David Wedgbury
Producer Egg (2)
Written-By Brooks* (tracks: A2, A3, A5 to B1d), Stewart* (tracks: A2, A3, A5 to B1d), Bach* (tracks: A4),
Campbell* (tracks: A2, A3, A5 to B1d), Gallen* (tracks: A1)

Notes

Tracks A1, A3 to B1d recorded at Landsdowne Studios.
Track A2 recorded at Trident Studios.

Released on a red/silver Deram Nova label.
Initial copies were accompanied with a large poster.
Also released in mono (DN 14).
On the cover a duration of 3:14 is mentioned for an unnamed track between Blane and Movement 4. This does not appear on the label.

Barcode and Other Identifiers

Matrix / Runout (Label A-side): ZAL 9409P
Matrix / Runout (Label B-side): ZAL 9410P

Vinyl Ripping Process/Equipment

VPI 16.5 RCM
Turntable: VPI Scoutmaster
Tonearm: Trans-Fi Termninator
Cartridge: Audio-Technica AT33PTG/II
Phone Stage: Cinemag SUT feeding a Marantz 2220B
Digital Interface: E-MU 1212
Recording Software: Adobe Audition 3.01
Recording Bitrate/Sample Rate: 192/24

Post Processing
Run thru ClickRepair at level 10 with
Pitch Protection | off
Reverse | on
Simple
Resample to 96khz in Izotope Rx2 using the default preset
Manually listen to album in Adobe Audition cleaning any clicks/anomalies
Flac with Xrecode II

What Exactly Is An Ultimate Master

It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot similarly lt;coughgt; named rips now I guess I should explain.
I try to present the ultimate mastering of a particular LP, the mastering is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is definitive is irrelevant to me, I just try to find the best pressing and dont mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I dont subscribe to the notion that
they represent the best source 95% of the time.

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