1969 - Led Zeppelin - I (Classic Records 200g LP; 24-96)

Led Zeppelin - I (1969) - 2000 Classic Records 200g LP (QUIEX SV-P 200) / SD 8216-200, USA LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side one 01. Good Times Bad Times John Bonham/John Paul Jones/Jimmy Page 2:47 02. Babe Im Gonna Leave You Page/Robert Plant/Anne Bredon 6:41 03. You Shook Me Willie Dixon/J. B. Lenoir 6:30 04. Dazed and Confused Page (as listed in the song credits on the album) 6:27 Side two 01. Your Time Is Gonna Come Jones/Page 4:34 02. Black Mountain Side Page 2:13 03. Communication Breakdown Bonham/Jones/Page 2:30 04. I Cant Quit You Baby Dixon 4:43 05. How Many More Times Bonham/Jones/Page 8:28 Personnel Led Zeppelin Jimmy Page acoustic, electric and pedal steel guitar, backing vocals, production Robert Plant lead vocals, harmonica John Bonham drums, timpani, backing vocals John Paul Jones bass guitar, organ, keyboards, backing vocals Additional personnel Chris Dreja back liner photo Peter Grant executive producer George Hardie cover design Viram Jasani tabla on Black Mountain Side Glyn Johns engineering, mixing Mastered by Bernie Grundman @ Grundman Mastering, Hollywood Technical Log RCM Hannl limited with Rotating Brush Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software Vacuum cleaning gt; TT gt; Brocksieper Phonomax gt; E-MU 0404 gt; WaveLab 6 (24/192) gt; manual click removal gt; analyze (no clipping, no DC Bias offset) gt; resampling and dithering with iZotope RX Advanced 2.00 gt; split into individual Tracks gt; FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I dont use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, Ill do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, Life is full of surface noises. In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.-------------------------------------Torrent downloaded from http://thepiratebay.se