Paul Roland Grimm(2011)[FLAC]

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Paul Roland Grimm(2011)[FLAC]

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Torrent info

Name:Paul Roland Grimm(2011)[FLAC]

Infohash: 42B126B7EF7FD20C4C13E7B41279298C132094B1

Total Size: 280.74 MB

Seeds: 0

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2023-12-16 02:46:44 (Update Now)

Torrent added: 2012-02-17 19:35:09






Torrent Files List


13 - The Master Thief (Spoken Word) .flac (Size: 280.74 MB) (Files: 18)

 13 - The Master Thief (Spoken Word) .flac

37.00 MB

 03 - A Long Time Ago .flac

30.88 MB

 10 - Once Upon A Time .flac

30.16 MB

 04 - Rapunzel .flac

28.42 MB

 02 - If the Sun Refused To Shine .flac

23.58 MB

 09 - The Way of the World .flac

20.76 MB

 06 - Lowly Weeps the King .flac

20.44 MB

 07 - Maleen .flac

20.05 MB

 08 - The Devil's Bride .flac

20.04 MB

 05 - What Will Become of Me .flac

18.00 MB

 01 - Nevermore .flac

11.79 MB

 11 - Nevermore (Reprise) .flac

11.04 MB

 12 - The Elderly Mother (Spoken Word) .flac

8.54 MB

 folder.jpg

38.10 KB

 Paul Roland - Grimm.log

12.76 KB

 Grimm.cue

2.61 KB

 Paul Roland - Grimm.m3u

1.00 KB

 Torrent downloaded from Demonoid.me.txt

0.04 KB
 

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Torrent description



Paul Roland - Grimm [2011]Syborg Music / 016-3

Paul Roland   Grimm(2011)[FLAC] preview 0

1. Nevermore (intro) 2:24
2. If the Sun Refused To Shine 4:14
3. A Long Time Ago 5:24
4. Rapunzel 5:51
5. What Will Become of Me? 3:51
6. Lowly Weeps the King 4:00
7. Maleen 3:57
8. The Devils Bride 4:25
9. The Way of the World 3:56
10. Once Upon A Time 5:31
11. Nevermore (Reprise) 2:09
12. The Elderly Mother (Spoken Word) 2:18
13. The Master Thief (Spoken Word) 10:17


Following on from his two most recent albums, Re-Animator and Nevermore, which, respectively, took the works of H. P. Lovecraft and Jules Verne as their literary starting points, Paul Rolands latest album is a collection of songs that rework stories by the Brothers Grimm in an appropriately dark folk manner. Ive mentioned before here that, since being sent a copy of Re-Animator by Black Widow Records a few years back, Ive become a huge fan of Pauls work and, aside from the latest releases, Ive enjoyed the Demos collection that was released a year or so back and the excellent sequence of reissues that Syborg Music have been putting together. To tell you a little story about that, I had to drive from Cornwall to Cheltenham for a business meeting last month a journey Ive made several times recently and know like the back of my hand. This time, it might have been that I was driving more slowly than normal and got into a rhythm that took my concentration away, or it might have just that Id been mulling things over in my mind, but likely it was that I was sharing the journey with Syborgs twofer CD of A Cabinet of Curiosities / Happy Families and enjoying again the company of Walter the Occultist and the eccentricities of Wyndham Hill, not to mention the old school humour of Best Years of our Lives that caused me not only to fail to spot the two Gloucester exits on the M5 that I watch out for in anticipation of the Cheltenham exit, but also the Cheltenham exit itself... finally picking up the thread of the journey with Cheltenham behind me and Tewkesbury on the exit sign. Absorbing are the music and words of our Mr. Roland.

Grimm seems to be part of a period of prolonged creativity in the music field (Roland is also a successful author), I talked to him a while back for an article thats unfortunately yet to see publication and he was at that point enthusing about projects that he felt where the most prominent on his radar... this one, of course, but also one thats going to be very British, but 40s, 50s Britain: seedy, boarding house, end-of-the-pier Britain. Then theres a revisionist history of the Wild West, the true story of Wyatt Earp, or Doc Hollidays deathbed confession. Ive got to be careful, an Englishman cant sing about the Civil War! It wouldnt be authentic and part of my modus operandi is to always be authentic. I love the sound of both of those and very much hope that theyll be in the pipeline.

But I also had the chance to ask Paul about both Grimm, while it was still in its formative period, and his other interests. Its based on the fairy tales of the Brothers Grimm, but the original versions not a fluffy, Disney, version. I dont write for other people, I write for myself but its the writer part of me, like a film director... Im making all these little movies for people to listen to, a writer, even one who is associated with a particular genre, like M. R. James and ghost stories or H. G. Wells with science fiction, they always did other things. I have my centre that I gravitate towards, this Victorian or Edwardian thing, but I know Ive done it a lot and I have to say something new to say if I do another like that. I recorded one track in the space rock vein, Journey to the Centre of the Mind, and I was going to put it on the Demos album but it sounded too finished so I held it off.

This is one is definite step away from what Pauls been doing with his recent work, a very stripped-down affair thats nonetheless rich in atmosphere and textures and which, as Roland notes, captures what I understand and at points recall the tone and style of the Brothers Grimm to have been. Hes working almost on his own here, where other releases have been full band recordings with a guest appearance on backing vocals by Rosie Eade and some spoken word interludes from closer to home, Michael and Joshua Roland. I enjoy the way that this creates an intimacy to the songs, so that they become very much the cautionary folklore being repeated to an intimate audience on a cold winters eve. The words are ones that have resonance with that sense of traditional story, on the delightful Rapunzel evoking that over the hills and far away idea... if you wait you wait in vain and here you must remain. Its the folklore of the malformed man and wife whose limbs were as curved as their black cats spine. Its the King and his firstborn son, The Devils Bride, wearisome companions and forest paths, its the Grimm stories that youll be familiar with and those that perhaps youll know less well, or want to uncover, as part of listening and absorbing this collection.

I can hardly believe it myself after the long delays which saw the trolls toiling deep in the dark forests of Germany hewing out the pits in each individual compact disc with their tiny chisels one track at a time, Paul noted on his latest newsletter. But its true. And as I live and wheeze its a mighty fine piece of work, if I may say so, having played every instrument on it myself and even engineered the recording in my own studio at Worlds End. But I can put my hand on both my hearts and say its exactly the way I wanted it to sound, so I hope you will agree it is a welcome addition to the Roland discography.

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