Aashish Khan & Zakir Hussain - Golden Strings Of The Sarode (2005) [FLAC]

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Aashish Khan & Zakir Hussain - Golden Strings Of The Sarode (2005) [FLAC]

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Torrent info

Name:Aashish Khan & Zakir Hussain - Golden Strings Of The Sarode (2005) [FLAC]

Infohash: 918FA76DC1B9B40EBA95E00738093351401F4090

Total Size: 330.80 MB

Seeds: 0

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2011-04-26 23:51:51 (Update Now)

Torrent added: 2011-04-26 01:35:11






Torrent Files List


Scans (Size: 330.80 MB) (Files: 12)

 Scans

  Inside 3.jpg

10.07 MB

  Inside 2.jpg

10.02 MB

  Front.jpg

8.07 MB

  Inside.jpg

6.79 MB

  CD.jpg

5.68 MB

  Inlay.jpg

5.48 MB

  Back.jpg

5.40 MB

  Thumbs.db

54.50 KB

 03 - Raag Mishra Bhairavi. Gat in Dadra.flac

112.39 MB

 02 - Raag Bhimpalashree. Gat in Jhaptal.flac

107.62 MB

 01 - Raag Lalita Gouri. Alaap.flac

59.21 MB

 folder.jpg

23.10 KB
 

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Torrent description

Aashish Khan Zakir Hussain - Golden Strings Of The Sarode (2005) - FLAC


Aashish Khan (sarod)
Zakir Hussain (tabla)

Actually recorded in 2002 (in a church!)

Artwork included.


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REVIEW (by Christina Roden on amazon.com)
http://www.amazon.com/Golden-String-Sarode-Ustad-Aashish/dp/B000BRP49O

For this intimate yet scintillating, Grammy-nominated duet, Aashish Khan, son of the legendary Ali Akbar Khan and a brilliant sarode virtuoso, is heard with percussionist, producer, and composer Zakir Hussain, who has not only taken his ancestral tabla drums into the 21st century, but is a noted classicist with an impressive pedigree of his own. His famous father, Ustad Alla Rakha, working with sitar master Ravi Shankar, was largely responsible for bringing Indian classical music to Western ears during the 1960s. Together, the two younger men explore and expand the perimeters of their respective instruments. Invented in the 17th century, the fearsomely demanding sarode (sarod-dhayak-vina in sanskrit) is made of teak wood with a fretless steel fingerboard, resonating goat skin belly, and 25 metal strings variously employed for drone, rhythm, and melody. The term tabla actually refers to a pair of drums; the smaller dayan is played with the right hand while the larger bayan is played with the left. The three raags that make up the recital are, as is typical of this type of music, associated with different times of day. Bhimpalashri, meant for the afternoon, is gently but not passively melancholy. Lalita Gouri captures the lingering fires of sunset, while Bhairavi is redolent of fragrant night shadows, romantic longing, and the eternal feminine.


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TRACKLIST
01. Raag Lalita Gouri. Alaap (14:17)
02. Raag Bhimpalashree. Gat in Jhaptal (21:13)
03. Raag Mishra Bhairavi. Gat in Dadra (21:24)


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