Albert Ayler The Copenhagen Tapes (2002) [flac]

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Albert Ayler The Copenhagen Tapes (2002) [flac]

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Name:Albert Ayler The Copenhagen Tapes (2002) [flac]

Infohash: 9DD8C67E5C4252136E60578F3B80DD3023253E63

Total Size: 452.20 MB

Seeds: 1

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2022-02-04 08:33:55 (Update Now)

Torrent added: 2010-07-16 02:33:04






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Details for Albert Ayler - The Copenhagen Tapes (2002) [FLAC]
Created by Ratio: 1.93jazzkazan 2 years ago
Music : Jazz : Lossless


Review by Fran�ois Couture

When you give birth to a free jazz record label by the name
of Ayler Records, you must be dreaming of putting out an album
of long-forgotten sessions by the great saxophonist Albert Ayler.
It took a while (then again, not that long), but producer Jan Str�m managed
to get hold of two important sessions recorded in Copenhagen.
The suitably titled Copenhagen Tapes contain 45 minutes of a performance
at Club Montmartre, September 3, 1964, and another 20 minutes recorded
in the studio of the Danish radio a week later.
Both sessions were prepared for broadcast
(i.e. the tapes were already edited and include occasional presentations in Danish)
and feature the little-documented quartet formed
by Don Cherry, Gary Peacock, and Sunny Murray!!!!!!!!!!!!!!!!!.
The live set is emotionally ferocious, sax and trumpet crying
with clamped fists in a way that has rarely been heard. "
Spirits" book-end the session, with "Vibrations," "Saints,"
"Mothers," and "Children," appearing in-between.
Audience chatter and worn tape can become annoying at times, but listening
to Peacock's solo in "Vibrations" makes up for most hi-fidelity complaints.
The studio set is a different story, sounding warm and clean.
The saxophonist presents himself to Danish listeners, in English, explaining what
he came looking for in Scandinavia, and the group follows
with takes of "Vibrations," "Saints," and "Spirits."
These versions move further into free territory, as if the absence
of an audience made it easier for the group to let loose.
This is one of the strongest recordings of "Saints" available to this day.
The Copenhagen Tapes are not the Holy Grail of the Ayler fan
and surely not a good place for newcomers to start
(because of the repetitions between the two sets).
But it makes a highly welcomed addition to the discography of free jazz.



Enjoy J.K
eac secure,logs, cue

1. Spirits [live] Ayler 9:41
2. Vibrations [live] Ayler 8:14
3. Saints [live] Ayler 9:09
4. Mothers [live] Ayler 7:54
5. Children [live] Ayler 8:39
6. Spirits [live] Ayler 1:24
7. Introduction Hensen 3:24
8. Vibrations Ayler 7:42
9. Saints Ayler 7:09
10.Spirits Ayler 4:55


Ayler records. 033.
Released 15 nov 2002.
Recorded 3 & 10 September 1964 Copenhagen.

When you give birth to a free jazz record label by the name
of Ayler Records, you must be dreaming of putting out an album
of long-forgotten sessions by the great saxophonist Albert Ayler.
It took a while (then again, not that long), but producer Jan Str�m managed
to get hold of two important sessions recorded in Copenhagen.
The suitably titled Copenhagen Tapes contain 45 minutes of a performance
at Club Montmartre, September 3, 1964, and another 20 minutes recorded
in the studio of the Danish radio a week later.
Both sessions were prepared for broadcast
(i.e. the tapes were already edited and include occasional presentations in Danish)
and feature the little-documented quartet formed
by Don Cherry, Gary Peacock, and Sunny Murray!!!!!!!!!!!!!!!!!.
The live set is emotionally ferocious, sax and trumpet crying
with clamped fists in a way that has rarely been heard. "
Spirits" book-end the session, with "Vibrations," "Saints,"
"Mothers," and "Children," appearing in-between.
Audience chatter and worn tape can become annoying at times, but listening
to Peacock's solo in "Vibrations" makes up for most hi-fidelity complaints.
The studio set is a different story, sounding warm and clean.
The saxophonist presents himself to Danish listeners, in English, explaining what
he came looking for in Scandinavia, and the group follows
with takes of "Vibrations," "Saints," and "Spirits."
These versions move further into free territory, as if the absence
of an audience made it easier for the group to let loose.
This is one of the strongest recordings of "Saints" available to this day.
The Copenhagen Tapes are not the Holy Grail of the Ayler fan
and surely not a good place for newcomers to start
(because of the repetitions between the two sets).
But it makes a highly welcomed addition to the discography of free jazz.

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