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Tchaikovsky The Snow Maiden (Complete) Symphony No 2

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Tchaikovsky The Snow Maiden (Complete) Symphony No 2

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Name:Tchaikovsky The Snow Maiden (Complete) Symphony No 2

Infohash: 15477F7024B2C3052043D213D6BD4CB97F7A9325

Total Size: 234.99 MB

Seeds: 0

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2024-04-03 01:29:57 (Update Now)

Torrent added: 2009-10-27 03:01:53






Torrent Files List


notes, etc. - Tchaikovsky - The Snow Maiden - Symphony No. 2 (Size: 234.99 MB) (Files: 36)

 notes, etc. - Tchaikovsky - The Snow Maiden - Symphony No. 2

  05 synopsis & notes - Tchaikovsky - The Snow Maiden.jpg

751.34 KB

  06 synopsis & notes - Tchaikovsky - The Snow Maiden.jpg

579.88 KB

  02 notes - Tchaikovsky - Symphony No. 2.jpg

282.15 KB

  Eugene Goosens - RCA Record Catalogue (1940).jpg

254.16 KB

  03 notes - Tchaikovsky - Symphony No. 2.jpg

246.32 KB

  cover - Tchaikovsky - The Snow Maiden (Mezhdunarodnaya Kniga, c.1960s).jpg

236.70 KB

  Listing for DM-790 - RCA Dealer's Catalogue (1944).jpg

173.02 KB

  04 notes - Tchaikovsky - Symphony No. 2.jpg

165.72 KB

  01 notes - Tchaikovsky - Symphony No. 2.jpg

127.49 KB

  label - Tchaikovsky - The Snow Maiden.jpg

87.02 KB

  Goossens with Toscanini.jpg

85.04 KB

 Tchaikovsky - Symphony No. 2 in C minor, Op. 17

  04 Tchaikovsky - Symphony No. 2 - IV. Moderato assai - Allegro vivo - Presto.flac

20.78 MB

  01 Tchaikovsky - Symphony No. 2 - I. Andante sostenuto - Allegro vivo.flac

18.62 MB

  02 Tchaikovsky - Symphony No. 2 - II. Andantino marziale, quasi moderato.flac

12.91 MB

  03 Tchaikovsky - Symphony No. 2 - III. Scherzo (Allegro molto vivace).flac

8.65 MB

 Tchaikovsky - The Snow Maiden (Snegurochka), Op. 12

  04 Tchaikovsky - The Snow Maiden - Farewell to the Carnival.flac

20.29 MB

  10 Tchaikovsky - The Snow Maiden - Chorus of he Blind Guslee-Players.flac

16.41 MB

  03 Tchaikovsky - The Snow Maiden - Monologue of Grandfather Frost.flac

15.73 MB

  02 Tchaikovsky - The Snow Maiden - Dance & Chorus of the Birds.flac

13.55 MB

  20 Tchaikovsky - The Snow Maiden - Tsar Berendyey's March & Chorus.flac

12.07 MB

  19 Tchaikovsky - The Snow Maiden - Spring's Declamation.flac

11.02 MB

  15 Tchaikovsky - The Snow Maiden - Lel's Third Song.flac

10.78 MB

  01 Tchaikovsky - The Snow Maiden - Introduction.flac

9.58 MB

  14 Tchaikovsky - The Snow Maiden - Dance of the Buffoons.flac

9.33 MB

  13 Tchaikovsky - The Snow Maiden - Chorus of the Maidens.flac

7.48 MB

  07 Tchaikovsky - The Snow Maiden - Lel's First Song.flac

7.26 MB

  11 Tchaikovsky - The Snow Maiden - Melodrama.flac

6.66 MB

  09 Tchaikovsky - The Snow Maiden - Entr'acte.flac

5.13 MB

  12 Tchaikovsky - The Snow Maiden - Chorus of the People & the Courtiers.flac

4.74 MB

  18 Tchaikovsky - The Snow Maiden - Entr'acte.flac

4.32 MB

  21 Tchaikovsky - The Snow Maiden - Finale.flac

4.20 MB

  16 Tchaikovsky - The Snow Maiden - Brusila's Song.flac

3.41 MB

  05 Tchaikovsky - The Snow Maiden - Melodrama.flac

3.11 MB

  08 Tchaikovsky - The Snow Maiden - Lel's Second Song.flac

2.52 MB

  06 Tchaikovsky - The Snow Maiden - Entr'acte.flac

2.23 MB

  17 Tchaikovsky - The Snow Maiden - Appearance of the Wood-Goblin & the false Snegurochka.flac

1.31 MB
 

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Torrent description

Tchaikovsky - The Snow Maiden (Complete) - Symphony No. 2

(Lesser Known Tchaikovsky, Part III)


Symphony No. 2 in C minor, Op. 17 "Little Russian" - Cincinnati Symphony Orchestra / Eugene Goossens

The Snow Maiden (Snegurochka), Op. 12 (Complete) - Introduction and Incidental Music to Alexander Ostrovsky's Drama - USSR Radio Symphony Orchestra / Alexander Gauk / K. Ptitsa, Chorus Director / Zara Dolukhanova, Mezzo Soprano / Alexander Orfenov, Tenor


Reviewing the 1941 RCA issue of composer / conductor Eugene Goosens directing Tchaikovsky's Symphony No. 2, music critic and annotator Irving Kolodin wrote:

"It is good to have so capable an orchestra as the Cincinnati on discs, but it is even better to have the aware musicianship and warm sympathies of Goossens employed to the advantage of this lively, well-constructed score.... The recording is excellent." ("New Guide to Recorded Music," Doubleday, 1941; revised edition, 1947)

When Kolodin describes the recording as being "excellent," he's referring, of course, to its sound. However, Kolodin might also have said the same concerning Goossens' total grasp of the work, a quality which continues to make this version of Tchaikovsky's Second Symphony in many ways the most satisfying one for this listener. The years since the first hearing of this recording have only reinforced an appreciation for its fresh, vigorous and sharply delineated rendering (the first hearing being around 1963 - actually, the first encounter with the music itself since no other recording of the Second Symphony was at hand during this time ... but a fortunate introduction, discovered among the unplayed 78 rpm albums in my local public library ... and later making a huge impression on my young ears).

Among his own compositions, the Second Symphony was one of Tchaikovsky's most favored; and Goossens appears to have shared this estimation ... coupled with a composer's insight which he put to very good use in this performance. Little wonder, then, that the recordings of Goossens seem to be attracting renewed interest. After this forward-looking recording was made, considerable time would pass before a comparable version of the Second Symphony appeared on discs.

From the notes for Tchaikovsky's Incidental Music for Ostrovsky's "The Snow Maiden":

"Nikolai Kashkin, a noted Russian music critic and a friend of Tchaikovsky, wrote the following in regard to the circumstances surrounding Tchaikonyovsky's composition of incidental music to Ostrovsky's play 'The Snow Maiden: 'The three weeks during which Tchaikovsky was working at the music of 'Snegurochka' were a happy time with him. In the year 1873 the smaller (Moscow) theatre was renovated, and while work was proceeding, the three companies, opera, ballet, and dramatic, gave their performances in the larger theatre. If I am not mistaken, it was then in charge of V. P. Belgichev, who hit upon the idea of producing on the big stage a kind of fairy piece in which all three companies should take part. Ostrovsky was approached with the proposition that he should write such a piece, and the music was entrusted to Tchaikovsky. Ostrovsky chose for his theme the tale of the Snow Maiden ... He wrote very quickly, and Peter Ilych, who had to receive the text from him, had little time, so that he had to hurry in order to keep pace with Ostrovsky. The first messages of spring were appearing in the country, and the approach of this beautiful season always filled Peter Ilych with delight and poetic inspiration: he loved especially the Russian spring, when nature suddenly awakes from her long winter sleep and sometimes within a few days transforms the whole landscape ... When one considers that Tchaikovsky's lessons at the Conservatoire amounted to twenty-seven hours a week, the rapidity with which 'Snegurochka' was composed is absolutely astounding. The first performance took place on May 11th ... The staging of the piece was ... gorgeous, and cost fifteen thousand roubles. In spite of a completely excellent rendering, 'Snegurochka' did not have a great success. The paucity of scenic action did not allow any great and genuine enthusiasm to make itself felt in the audience.'

The play with its very generous quantity of incidental music was soon stricken from the repertory. Nikolai Rubinstein did not seem to have held the play in very high esteem, but he was most enthusiastic over the incidental music, and subsequently conducted the music at a concert not long after the play was removed from the Moscow boards. The select audience present on this occasion responded to the music favorably; however, the music too soon disappeared from circulation. Today Tchaikovsky's work is virtually and unjustly forgotten, being overshadowed in fame by Rimsky-Korsakov's opera on the same subject (1881)."

"The Snow Maiden" also features a generous amount of vocal / choral music (of the latter, some of Tchaikovsky's finest), beautifully performed in this recording from 1951. In all, "The Snow Maiden" contains some very attractive music - and the more one listens, the more one discovers. "Farewell to the Carnaval" (Track 4), for example, is particularly effective. Its three contrasting sections form a kind of triptych depicting Russian rural life (and, in fact, a distinct folk flavor permeates "The Snow Maiden"). It's not difficult to imagine Tchaikovsky being contented as he worked on "The Snow Maiden"; imaginative strokes appear at almost every turn throughout this wonderful work.

LP transfer of material issued c.1960s (Mezhdunarodnaya Kniga, originally recorded 1951); 78 rpm restoration of material issued 1941 (RCA set DM-790).

Includes original notes, etc., including a complete synopsis of Ostrovsky's play.



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