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(JazzPlanet) S M V Miller, Wooten, Clarke Vitoria Gasteiz LIVE 2009 [DVD AC3 2ch]

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(JazzPlanet) S M V Miller, Wooten, Clarke Vitoria Gasteiz LIVE 2009 [DVD AC3 2ch]

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Torrent info

Name:(JazzPlanet) S M V Miller, Wooten, Clarke Vitoria Gasteiz LIVE 2009 [DVD AC3 2ch]

Infohash: 68A492484AC25010AF2ADA61597DA9DF3EF50A7B

Total Size: 2.67 GB

Seeds: 2

Leechers: 0

Stream: Watch Full Movie @ Movie4u

Last Updated: 2012-09-24 07:33:57 (Update Now)

Torrent added: 2009-10-07 06:05:09






Torrent Files List


VIDEO_TS (Size: 2.67 GB) (Files: 9)

 VIDEO_TS

  VIDEO_TS.BUP

8.00 KB

  VIDEO_TS.IFO

8.00 KB

  VTS_01_0.BUP

52.00 KB

  VTS_01_0.IFO

52.00 KB

  VTS_01_1.VOB

1.00 GB

  VTS_01_2.VOB

1.00 GB

  VTS_01_3.VOB

688.11 MB

 info.txt

1.19 KB

 S.M.V.md5

0.43 KB
 

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Torrent description

(JazzPlanet) S.M.V - Miller, Woote, Clarke-Vitoria Gasteiz LIVE 2009 [DVD-AC3 2ch]

(JazzPlanet) S M V   Miller, Wooten, Clarke Vitoria Gasteiz LIVE 2009 [DVD AC3 2ch] preview 0

Setlist

Maestros De Frecuencias Bajas - Thunder
Wooten Bass Solo
Moongoose Walk
Shake Your Body - Human Nature -Tutu
Milano
Beat It

Stanley Clarke, Marcus Miller & Victor Wooten
33 Festival de Jazz de Vitoria-Gasteiz
Plaza de Mendizorroza. Vitoria. Spain
16 July 2009

line-up

Stanley Clarke - Double bass, electric bass
Marcus Miller - Fender electric bass, bass Sax
Victor Wooten - Electric Bass
Fede Fernandez Pena - Keyboards
Derico Wattson - Drums

Video:
Video compression mode: MPEG-2
Aspect Ratio: 4:3
Source picture resolution: 720×576
Frame Rate: 25.00

Audio:
Audio Coding mode: Dolby AC3 audio
Sampling Rate: 48kHz
Number of Audio channels: 2.0

Dimension: 2,76 GB

Running Time 01:16

DVD Quality

DVD PAL region free Pro Shot DVD

(JazzPlanet) S M V   Miller, Wooten, Clarke Vitoria Gasteiz LIVE 2009 [DVD AC3 2ch] preview 1

Marcus Miller

(JazzPlanet) S M V   Miller, Wooten, Clarke Vitoria Gasteiz LIVE 2009 [DVD AC3 2ch] preview 2

Stanley Clarke

(JazzPlanet) S M V   Miller, Wooten, Clarke Vitoria Gasteiz LIVE 2009 [DVD AC3 2ch] preview 3

Victor Wooten

Biography

Marcus Miller

Marcus Miller (born June 14, 1959 in Brooklyn, New York) is a multiple Grammy Award-winning jazz musician, composer, producer, and multi-instrumentalist.

Miller is best known as a bassist, working with trumpeter Miles Davis, singer Luther Vandross, and saxophonist David Sanborn as well as maintaining a prolific solo career. Miller is classically trained as a clarinetist and also plays keyboards, saxophone and guitar.
Miller spent approximately 15 years performing as a sideman or session musician and observing how great bandleaders operated. During that time he also did a lot of arranging and producing. During the late seventies he was a member of the Saturday Night Live band from 1978 through 1979. He played on over 500 recordings, including those by Luther Vandross, Grover Washington Jr., Roberta Flack, Carly Simon, McCoy Tyner, Bryan Ferry and Billy Idol. He won the "Most Valuable Player" award, (awarded by NARAS to recognize studio musicians) three years in a row and was subsequently awarded "player emeritus" status and retired from eligibility. In the nineties, Miller began to record his own records, he had to put a band together to take advantage of touring opportunities.

Miller's proficiency on his main instrument, the bass guitar, is generally well-regarded. Not only has Miller been involved in the continuing development of a technique known as "slapping", particularly his "thumb" technique, but his fretless bass technique has also served as an inspiration to many, and has taken the fretless bass into musical situations and genres previously unexplored with the electric bass of any description. The influences of some of the previous generation of electric bass players, such as Larry Graham, Stanley Clarke and Jaco Pastorius, are audible in Miller's playing. Early in his career, Miller was accused of being simply imitative of Pastorius, but has since more fully integrated the latter's methodology into his own sound.

Miller has an extensive discography, and tours frequently and widely in Europe and Japan.

Between 1988 and 1990 he appeared in the first season and again toward the end as both the Musical Director and also as the house band bass player in The Sunday Night Band during the two seasons of the acclaimed music performance program Sunday Night on NBC late-night television.[1]

As a composer, Miller wrote "Tutu" for Miles Davis, a piece that defined Davis' career in the late 1980s, and was the title song of Davis' album, Tutu, upon which Miller wrote all the songs with only two exceptions. (One was co-written with Davis, however.) He also composed "Chicago Song" for David Sanborn and co-wrote "'Til My Baby Comes Home", "It's Over Now", "For You To Love", and "The Power of Love" for Luther Vandross. Miller also wrote "Da Butt", which was featured in Spike Lee's School Daze.

Stanley Clarke

Stanley Clarke (born June 30, 1951 in Philadelphia) is an American jazz musician and composer known for his innovative and influential work on double bass and bass guitar as well as for his numerous film and television scores. He is best known for his work with the fusion band Return to Forever.
During the 1970s he joined the jazz fusion group Return to Forever led by pianist and synth player Chick Corea. The group became one of the most important fusion groups and released several albums that achieved both mainstream popularity and plaudits from critics. Clarke also started his solo career in the early 1970s and released a number of albums under his own name. His well-known solo album is School Days (1976), which, along with Jaco Pastorius's self-titled debut, is one of the influential solo bass recordings in fusion history. His albums Stanley Clarke (1974) and Journey to Love (1975) are also notable.
Clarke places his right hand so that his fingers approach the strings much as they would on an upright bass, but rotated through 90 degrees. To achieve this, his forearm lies above and nearly parallel to the strings, while his wrist is hooked downward at nearly a right angle. For lead and solo playing, his fingers partially hook underneath the strings so that when released, the strings snap against the frets, producing a biting percussive attack. In addition to an economical variation on the funky Larry Graham-style slap-n'-pop technique, Clarke also uses downward thrusts of the entire right hand, striking two or more strings from above with his fingernails (examples of this technique include "School Days", "Rock and Roll Jelly", "Wild Dog", and "Danger Street").

Victor Wooten

Victor Lemonte Wooten (born September 11, 1964) is an American bass player, composer and author.

Wooten has won the "Bass Player of the Year" award from Bass Player magazine three times in a row, and was the first person to win the award more than once.In addition to a solo career and collaborations with various artists, Wooten has been the bassist for Béla Fleck and the Flecktones since the group's formation in 1988.

In 2008, Wooten joined Stanley Clarke and Marcus Miller to record an album. The trio of bassists, under the name SMV, released Thunder in August 2008 and began a supporting tour the same month.
Wooten is most often seen playing Fodera basses, of which he has a signature model.[4] His most famous Fodera, a 1983 Monarch Deluxe which he refers to as "number 1", sports a Kahler Tremolo System model 2400 bridge. Fodera's "Yin Yang" basses (designed/created for Wooten) incorporate the Yin Yang symbol - which Wooten often uses in various media - as a main focal point of the top's design and construction. It is often mistakenly thought that the Yin Yang symbol is painted onto the bass, but in reality, the symbol is created from two pieces of naturally finished wood (Ebony and Holly, for example), seamlessly fitted together to create the Yin-Yang pattern.[5]

Though Wooten's basses receive much attention, his most frequent and consistent response when asked by his fans about his equipment (or equipment in general) is that "the instrument doesn't make the music ... you do".He'll often go on to state that the most important features to look for in a bass are comfort and playability. During a question and answer session at a 1998 concert, Wooten stated that "If you take a newborn baby and put them on the instrument, they're going to get sounds out of it that I can't get out of it, so we're all the best."This philosophy seems closely related to another fundamental truth about Wooten's stated approach to and experience of bass and music in general, which is that music is a language. According to Wooten, while speaking or listening, one doesn't focus on the mouth as it is forming words; similarly, when a musician is playing or performing the focus shouldn't be on the instrument.

As well as playing electric bass (both fretted and fretless), and the double bass, Victor also played the cello in high school. He still plays cello occasionally with the Flecktones. This is the instrument to which he attributes his musical training.

[url]http://www.youtube.com/watch?v=wH-uCeScAfU&feature=PlayList&p=17D91D6F59D65A08&playnext=1&playnext_from=PL&index=4[/url]

Bandwith

500 Kb/sec


(JazzPlanet) S M V   Miller, Wooten, Clarke Vitoria Gasteiz LIVE 2009 [DVD AC3 2ch] preview 4


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