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Creedence Clearwater Revival Bayou Country [Extra Tracks] [Remastered][

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Creedence Clearwater Revival Bayou Country [Extra Tracks] [Remastered][

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Torrent info

Name:Creedence Clearwater Revival Bayou Country [Extra Tracks] [Remastered][

Total Size: 77.34 MB

Magnet: Magnet Link

Seeds: 0

Leechers: 0

Stream: Watch Online @ Movie4u

Last Updated: 2015-09-03 08:48:30 (Update Now)

Torrent added: 2009-09-11 08:35:36




Torrent Files List


01 - Born On The Bayou.mp3 (Size: 77.34 MB) (Files: 13)

 01 - Born On The Bayou.mp3

7.26 MB

 02 - Bootleg.mp3

4.14 MB

 03 - Graveyard Train.mp3

11.87 MB

 04 - Good Golly Miss Molly.mp3

3.68 MB

 05 - Penthouse Pauper.mp3

4.97 MB

 06 - Proud Mary.mp3

4.27 MB

 07 - Keep On Chooglin'.mp3

10.61 MB

 08 - Bootleg (Alternate Take).mp3

7.98 MB

 09 - Born On The Bayou (Live At Royal Albert Hall).mp3

6.60 MB

 10 - Proud Mary (Live In Stockholm).mp3

3.86 MB

 11 - Crazy Otto (Live At The Fillmore).mp3

12.11 MB

 Creedence Clearwater Revival - 2] Bayou Country [Extra Tracks] [Remastered].nfo

3.19 KB

 Creedence Clearwater Revival - 2] Bayou Country [Extra Tracks] [Remastered].sfv

1.51 KB
 

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Torrent description

Artist Creedence Clearwater Revival
Title Bayou Country
Language English
Format MP3 192 kb/s
Release Date 1969
Files 11
Time 56:16
Size 77.3 MB
Genre Rock



1. Born On The Bayou
2. Bootleg
3. Graveyard Train
4. Good Golly Miss Molly
5. Penthouse Pauper
6. Proud Mary
7. Keep On Chooglin'
8. Bootleg [Alternate Take]*
9. Born On The Bayou (Live - Royal Albert Hall 1971)*
10. Proud Mary (Live - Stockholm 1971)*
11. Crazy Otto (Live - The Fillmore San Francisco 1969)*

Opening slowly with the dark, swampy "Born on the Bayou," Bayou Country reveals an assured Creedence Clearwater Revival, a band that has found its voice between their first and second album. It's not just that "Born on the Bayou" announces that CCR has discovered its sound it reveals the extent of John Fogerty's myth-making. With this song, he sketches out his persona; it makes him sound as if he crawled out of the backwoods of Louisiana instead of being a native San Franciscan. He carries this illusion throughout the record, through the ominous meanderings of "Graveyard Train" through the stoked cover of "Good Golly Miss Molly" to "Keep on Chooglin'," which rides out a southern-fried groove for nearly eight minutes. At the heart of Bayou Country, as well as Fogerty's myth and Creedence's entire career, is "Proud Mary." A riverboat tale where the narrator leaves a good job in the city for a life rolling down the river, the song is filled with details that ring so true that it feels autobiographical. The lyric is married to music that is utterly unique yet curiously timeless, blending rockabilly, country, and Stax R&B into something utterly distinctive and addictive. "Proud Mary" is the emotional fulcrum at the center of Fogerty's seductive imaginary Americana, and while it's the best song here, his other songs are no slouch, either. "Born on the Bayou" is a magnificent piece of swamp-rock, "Penthouse Pauper" is a first-rate rocker with the angry undertow apparent on "Porterville" and "Bootleg" is a minor masterpiece, thanks to its tough acoustic foundation, sterling guitar work, and clever story. All the songs add up to a superb statement of purpose, a record that captures Creedence Clearwater Revival's muscular, spare, deceptively simple sound as an evocative portrait of America.

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