Juliana Hatfield How To Walk Away 2008 KzT

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Juliana Hatfield How To Walk Away 2008 KzT

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Name:Juliana Hatfield How To Walk Away 2008 KzT

Total Size: 58.80 MB

Magnet: Magnet Link

Seeds: 0

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Stream: Watch Online @ Movie4u

Last Updated: 2015-07-30 04:19:31 (Update Now)

Torrent added: 2008-08-22 09:52:09

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00-juliana_hatfield-how_to_walk_away-2008-cover.jpg (Size: 58.80 MB) (Files: 15)


124.76 KB


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Torrent description

ARTiST : Juliana Hatfield
ALBUM : How To Walk Away
LABEL : Ye Old Records
GENRE : Rock

RELEASE : 2008-08-20
STREET : 2008-08-19

ENCODER : LAME v3.97 -V2 --vbr-new
QUALiTY : 189kbps avg / 44.1kHz / Joint Stereo
SiZE : 58.67 MB
PLAYTiME : 00:42:57


[#] [Track Name] [Time]

1. The Fact Remains 3:52
2. Shining On 4:53
3. This Lonely Love (Feat. Richard Butler) 5:12
4. My Baby... 4:26
5. Just Lust 3:34
6. Now I'm Gone 4:05
7. Remember November 4:15
8. So Alone 4:00
9. Such A Beautiful Girl (Feat. Matthew Caws) 3:51
10. Law Of Nature 4:49


How To Walk Away, on Ye Olde Records, finds Hatfield singing in
top form. “Finally,” she says, “I feel like my voice has grown into
itself and I’m not struggling so much against its little-girl-ness.”

The album features guest appearances by two other distinctive
vocalists: Psychedelic Furs’ Richard Butler on “This Lonely Love”
and Nada Surf’s Matthew Caws on “Such A Beautiful Girl.” Other featured
guest musicians were Fountains Of Wayne guitarist Jody Porter (some
lead guitar); Jeff Hill, of Rufus Wainwright’s band, on bass; and Ethan
Eubanks of the Grey Race on drums. Tracy Bonham guested on violin, and
Jason Hatfield, Juliana’s brother, played piano on two songs, which he
co-wrote (“Remember November” and “Such A Beautiful Girl”).

How To Walk Away was recorded at Stratosphere Sound, the NYC studio
co-owned by Adam Schlesinger (Fountains Of Wayne), James Iha (formerly
of Smashing Pumpkins), and Andy Chase (of revered alt-rock/pop band Ivy),
who produced the album. How To Walk Away is evocative, layered, and
unhurried yet Chase has managed to retain Hatfield’s essential rawness
of spirit, smoothing out some rough edges but not all. Witness, for
example, the loose, danceable “Now I’m Gone,” sung (and played) by
Hatfield in one inspired improvisational take. And while she has
frequently drawn from personal experience in the past, these songs
are some of her most candid ever.

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