Reporter Curt Devlin loves sob sister Ellen Garfield but believes women are \"bum newspapermen\". When she learns the identity of a murdered arsonist, he calls it luck. When she goes after the murderer he gets enough evidence to have Maitland Coulter arrested. She finds a bunch of \"not guilty\" ballots and publishes the wrong story; he eavesdrops on the jury and gets the correct verdict. After being fired she gets a confession from the real killer and gets Coulter released.
Bette Davis ... Ellen Garfield
George Brent ... Curt Devlin
Roscoe Karns ... Toots O\'Grady
Wini Shaw ... Inez Cordoza (as Winifred Shaw)
Walter Walker ... Judge Hugo Rickard
J. Carrol Naish ... Robert Cardoza (as J. Carroll Naish)
Gordon Westcott ... Maitland Coulter
Dorothy Dare ... Mae LaRue
June Martel ... Olive Wilson
Joseph Crehan ... Spike Kiley
J. Farrell MacDonald ... Hallohan
Addison Richards ... District Attorney
Joe King ... Hartnett (as Joseph King)
Selmer Jackson ... Joe Davis (as Selmar Jackson)
Greatly enjoyed this Betty Davis film which I had never viewed and found Davis at her very best in appearance and in a very light hearted role she portrayed as Ellen Garfield. I believe Davis was around 27 years of age when she appeared in this film and she was very charming and had a good supporting actor, George Brent, (Curt Devlin) who was a star reporter for his newspaper and was in competition with Ellen Garfield to get the big scoop or headline stopper for their respective newspapers. This couple were also love birds who had intentions to get married only under certain terms they agreed upon together, a sort of contest that would lead to some very important big steps in their lives. Veteran actor Roscoe Karns, (Toots O\'Grady) was the photographer for Curt Devlin and gave a great supporting comical role through out the entire picture. This is a very enjoyable 1935 Classic film and I believe that Davis and Brent both gave outstanding performances. Enjoy.
Bette Davis plays a plucky female reporter who just got the chance to do lead stories--those traditionally done exclusively by men. A rival reporter, George Brent, is in love with her but also has little respect for her \"trying to make it in a man\'s world\"--so naturally she refuses to marry a man who doesn\'t respect her. In the midst of their arguments, Brent proposes a contest to see which can get the biggest scoop during a murder investigation and the subsequent trial. Now this all could have been very predictable or sexist, but somehow both pitfalls were avoided.
Sure, this isn\'t the deepest or best film that Bette Davis made in her long and distinguished career, but for the mid-1930s it\'s pretty good stuff. Although Warner Brothers employed one of the finest actresses of all time in the form of Miss Davis, up until the late 30s, they bounced her around from bad to mediocre to top of the line films and back again! So inconsistent were these roles that even after being Oscar nominated (OF HUMAN BONDAGE) and receiving the Oscar (DANGEROUS), Miss Davis STILL bounced around the studio in predictable programmers, B-movies AND A-films as well. As a result, she walked out of her contract (briefly).
Despite all this, FRONT PAGE WOMAN was a good film for her career--as it was quite enjoyable, gave her a chance to appear with her favorite leading man (George Brent) and gave her a decent (though not always believable) leading role. The film is a typical battle of the sexes film which weren\'t especially uncommon during Hollywood\'s Golden Age and like many of these films (such as PAT AND MIKE and WOMAN OF THE YEAR), it was a lot of fun. Plus, the chemistry between Davis and Brent was wonderful and I wish their films together got more attention--they are always enjoyable even when the writing isn\'t up to snuff (as in a few of their films together).
Rival reporters Garfield and Devlin are also a couple who delight in scooping each other often to the detriment of their respective papers. Brent and Davis are charming together and have an easy rapport. Curtiz\'s workmanlike direction and the rapid fire dialogue still hold up well, helped by the story\'s hesitation to endorse traditional male/female roles. If this proto-screwball comedy has a flaw it\'s that Garfield never seems a savvy enough rival for Devlin despite topping him to keep their endless competition going. Reminiscent of `The Front Page\' and `His Girl Friday.\' Recommended.