Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on each other, comfort each other as death approaches, and rescue each other from danger.
John Wayne ... Ole Olsen
Thomas Mitchell ... Aloysius 'Drisk' Driscoll
Ian Hunter ... Smitty Smith, an alias of Thomas Fenwick
Barry Fitzgerald ... Cocky
Wilfrid Lawson ... Captain
John Qualen ... Axel Swanson
Mildred Natwick ... Freda
Ward Bond ... Yank
Arthur Shields ... Donkeyman
Joe Sawyer ... Davis (as Joseph Sawyer)
Director: John Ford
Codecs: XVid / MP3
The Long Voyage home is not a typical film from this period. It differs in that it focuses on an ensemble cast instead of on a star. That's common nowadays, but not back then. Ford's Stagecoach, made the previous year, had quite an ensemble cast, but the film was always focused on Ringo and Dallas. Here, John Wayne is just one of the stars. Thomas Mitchell, who played Doc Washburn in Stagecoach, has a role that's as big as Wayne's in Voyage. Others are as prominent.
The plot is also pretty tenuous and episodic. And, unlike most films of the time, the focus was not on a goal, but just on the events and lives of the seaman aboard the Glencairn. We see them sail through the war-torn Atlantic, between the U.S. and Europe. They have fun, they fight, they talk about home. It's all rather gentle and beautiful, very subtle. The script is great, which is probably due to Eugene O'Neil, for of whose plays this film is based on (they are blended together seamlessly).
The actors are marvelous. Mitchell and Wayne are probably the best known, but there are also Ian Hunter, Barry Fitzgerald, John Qualen, Ward Bond, Mildred Natwick, and many other great character actors. John Wayne was probably the draw, considering how popular Stagecoach had made him, but, as I said, his role is not out in the front. In fact, he doesn't have many lines. His schtick is that he is a Swede who can't speak English well, so he is generally pretty quiet (Wayne can't muster the best Swedish accent, either, so that's kind of a good thing!). He has one great scene where he has some long bits of dialogue. But even without the dialogue, he emotes so well in his face. I knew his character intimately by the end of the film. We don't often think of Wayne as a great actor, but he certainly was. Although The Searchers probably contains his best role, The Long Voyage Home would certainly be worth a major mention when talking about his career.
If you could say that there is a single "star" of this film, that would have to be Greg Tolland. Of course, he photographed Citizen Kane in the next year, as well as Ford's Best Picture winning How Green Was My Valley and The Grapes of Wrath. The cinematography is some of the most impressive to be found in the American cinema. John Ford himself is just as much the star of The Long Voyage Home. He definitely put his heart into this one. The direction is beautiful, artful. It is as good here as it is in The Grapes of Wrath, My Darling Clementine, and The Searchers, that is, it is one of his very best films, if not THE best. To date, it's the only Ford film that made me shed tears.
It's strange that the best performance John Wayne ever gave on film was one that was not in a western, where he was not in the lead, and where he did not play, essentially, himself.
* John Wayne was asked by director John Ford to play the part of Ole Olson, who was Swedish. Wayne wasn't sure he could pull off the Swedish accent and was worried that the audience would laugh. Ford persuaded him to take the role.
* "Bound East for Cardiff" opened in Provincetown, Massachusetts on 28 July 1916. "In the Zone" opened in New York on 31 October 1917. "The Long Voyage Home" opened in New York on 2 November 1917. "The Moon of the Caribees" opened in New York on 20 December 1918.
* Writer Dudley Nichols had to distill four of 'Eugene O'Neill (I)' 's one-act plays into one cohesive screenplay.
* Initially resistant to the idea of working with a Swedish accent, John Wayne was instructed by Danish actress Osa Massen. John Ford later complimented Wayne on his handling of the accent.
* Eugene O'Neill's favorite film. John Ford gave him a print of it, which O'Neill wore out.
* The first spoken dialogue occurs nearly five minutes into the film.
* The name of Arthur Shields' character, "Donkeyman", is a nickname for the job he performed, the sole caretaker of the ship's single-piston "Donkey" engine.