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The Rolling Stones Shine A Light 2008 NTSC MDVDR RAGEDVD

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Rolling Stones - Shine A Light

title: [ Rolling Stones - Shine A Light ]
label: [ Paramount Home Entertainment ]
type: [ MDVDR ]
genre: [ Rock ]
source: [ R1 DVD9 ]
bitrate: [ 9Pass@4204 ]
audio: [ English 2.0/5.1 ]
aspect: [ WS 16:9 ]
size: [ 94x50mb ]
stripped: [ ALL EXTRAS ]
ripper: [ Team RAGE ]
]
url: ]

rip date: [ 08/02/2008 ]
street date: [ 07/29/2008 ]
















url:http://www.cduniverse.com/productinfo.asp?pid=7694979&style=movie

The music of the Rolling Stones has lit up the soundtrack to so many Martin
Scorsese films ("Gimme Shelter" has appeared in no less than three of his features--GOODFELLAS, CASINO, and THE DEPARTED) that it's little surprise to
find the director teaming up with the legendary rockers for this concert
recording. SHINE A LIGHT begins with a few glimpses of the preparation that
went into the recording of the show, which was staged over two nights at
New York City's Beacon Theatre in 2006. Scorsese also includes some candid
footage of the Stones doing a pre-show meet-and-greet with guests Bill and
Hillary Clinton, which highlights some of the different personality traits
in the band. Keith Richards and Ron Wood are the clowns, always goofing around;
Mick Jagger is the consummate professional, always polite to a fault;
Charlie Watts caries a real air of dignity, as befits someone who enjoys
a dual career as a noted jazz musician. The bulk of the movie is dedicated
to the multi-camera shoot at the Beacon, which captures the Stones playing
some of their biggest hits and a few lesser-known numbers. Special guests
such as Jack White, Buddy Guy, and Christina Aguilera are ushered on at
various points in the show, and the concert footage is broken up by some
amusing vintage footage of the band. By using so many cameras, Scorsese
captures a side of the Stones that is rarely seen, such as Watts turning to
camera and puffing out his cheeks and Richards offering encouraging words
to Jack White as he exits the stage. SHINE A LIGHT provides a welcome glimpse
into the Stones' world at this advanced stage in their career, and continues
Scorsese's obsession (see also: NO DIRECTION HOME and THE LAST WALTZ) with
documenting some of the most influential characters in rock & roll.

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