The Treasure of the Sierra Madre (1948) DVRip (SiRiUs sHaRe) CD1.avi
The Treasure of the Sierra Madre (1948) DVRip (SiRiUs sHaRe) CD2.avi
The Treasure of the Sierra Madre (1948).rtf
The Treasure of the Sierra Madre (1948)
Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster.
Humphrey Bogart ... Dobbs
Walter Huston ... Howard
Tim Holt ... Curtin
Bruce Bennett ... Cody
Barton MacLane ... McCormick
Alfonso Bedoya ... Gold Hat
Arturo Soto Rangel ... Presidente (as A. Soto Rangel)
Manuel Dondé ... El Jefe (as Manuel Donde)
José Torvay ... Pablo (as Jose Torvay)
Director: John Huston
Runtime: 126 mins
Codecs: XVid / MP3
This is one of those great old movies that is worth a repeat viewing every now and again in a person's life. Sure, much of the acting and dialog have gotten corny and dated over the years, and I agree with one of the previous commenters who said that Bogart's acting seems very forced - like he's obviously just reading lines from script. Be that as it may, the story that is told here is every bit as important and thought provoking as something from the Bible. Throughout the film there is a spot-on wisdom about man and his endless quest for wealth (in this case, gold). I always come away from this movie feeling secure in my belief that in life you just can't have it all, and all that glitters is not gold (i.e. there are things in life more important than money).
Since this movie was largely about lost fortunes (literally "dust in the wind" if you think about the end sequence), it must have made quite an impression on audiences back in the forties when it was released. I'm sure more than a few viewers back then still had painful memories of catastrophic losses caused by the 1929 stock market crash and the ensuing Depression of the 1930's. Also, many people lost a lot in the war years that followed, and which predated this movie by just a few years.
That's why I think this movie qualifies for repeat viewings, because just think how appropriate this wisdom is for our current generation of people: just consider the losses from, say, the stock market crash of 2000, the events of September 11th, and of course we just witnessed the horrific losses caused by the Asian tsunami... the cycle repeats. Fortunes come and go, gold is often times nothing but dust in the wind, but life goes on and so man must go on. That's what this movie says to me whenever I see it.
The teaming of Humphrey Bogart and John Huston in six films beginning with The Maltese Falcon in 1941 is one of the great collaborations of actor and director in American films.
The Treasure Of The Sierra Madre is the very best work of both of these film legends. It is easily a candidate for any list of ten greatest films.
Like all truly great films it never grows dated. I have seen it many times and am still captivated by it every time I watch it. All the elements come together to make this an enormously entertaining experience. From the opening scenes of the penniless vagrants Dobbs(Bogart) and Curtin (the underrated Tim Holt), pondering their uncertain future, to the great conclusion where the fates reveal a hidden synchronicity in all that has transpired, this is movie making at its best.
The film won Oscars for Huston's direction and screenplay, and for father Walter Huston's performance as the weathered old prospector, who has seen how gold can corrupt even the most seemingly decent men. Bogart eventually won the award for The African Queen, but deserved it for this film as well. Max Steiner is also in top form, providing the films atmospheric and stirring score.
In a movie with it's share of great scenes, my favorite is the one where Curtin reads the letter from Codie's wife, after he is killed in the shootout with the bandits. It is here that an eerie ,almost hidden, purposefulness seems to reveal itself. It is as if a mysterious power has arranged these events to bring the destinies of Curtin and this woman together. Watch his face as he reads the letter and realizes the strangeness of what is happening. Tim Holt plays the scene with virtuosity.
Alphonso Bedoya, as the vile bandit leader, has the films most famous line of dialogue- "Badges? We ain't got no badges. We don't need no badges. I don't have to show you any stinking badges!"
It has been said that "they don't make them like that anymore" ,referring to the great old movies of the past, and there is more than a little truth in that statement. It seems like months, if not years, go by without a really great film being made. Apart from a hand full of filmmakers (Scorsese, Stone, Spielberg, and a few others), most of todays film industry offerings are quite forgettable.
But one can always revisit the classics of Hollywood's golden years on television or DVD, and there is no greater example of that era than The Treasure Of The Sierra Madre.
John Huston's genius as a director is undeniable. From his beginning he showed an uncanny knack for getting not only excellent acting from his actors, but his movies always had a social conscience as well.
Mr. Huston loved Mexico and it shows in this film. It must have been a difficult task for him directing his own father in the movie. After all, Walter Huston was a major star on his own right. Both father and son made a great contribution, John behind the camera, Walter in front of it.
Basically the story is about men that have drifted into Mexico to escape jail, or in search of riches, as it was the case of the men that fate brings together in a Tampico shelter. Dobbs, Howard and Curtin start out as partners searching for gold in the Sierra Madre. They find it, but as luck will have it, none of them will live to be rich from what they find in that remote place.
In the most ironic of film endings, this one will be a classic. After the trio finds gold, greed sets in. Friendship turns sour and the three friends become enemies. When the bandits finally catch up with an exhausted Dobbs, trying to go north, they beat him up and discover some sacks full of sand....
Humphrey Bogart as Dobbs is excellent. Of course, Walter Huston made the best out of Howard, the clever old man who has seen a lot in his life. He is the only one that discovers a happiness living the simple life among the friendly Mexicans that welcome him into their community. Finally, Tim Holt, as Curtin is perfectly cast as an honest man who has gone into the adventure without any expectations.
The final sequence of Howard and the peasants riding their horses into the 'yellow dust' is amazing, as it it incredible. In retrospect, it seems to be telling us that sometimes dreams of becoming rich the easy way will not be sustained, but honest work will be more rewarding.
* The movie's line "Badges? We ain't got no badges! We don't need no badges! I don't have to show you any stinking badges!" was voted as the #36 movie quote by the American Film Institute (out of 100).
* There were scenes in which Walter Huston had to speak fluent Spanish, a language he did not know off camera. To fill this need, John Huston hired a Mexican to record the lines, and then the elder Huston memorized them so well that many assumed he knew the language like a native.
* Just as John Huston was starting to shoot scenes in Tampico, Mexico, the production was shut down inexplicably by the local government. It turns out that a local newspaper printed a false story that accused the filmmakers of making a production that was unflattering to Mexico. Fortunately, two of Huston's associates, Diego Rivera and Miguel Covarrubias, went to bat for the director with the President of Mexico. The libelous accusations were dropped.
* The reclusive novelist B. Traven was asked if he would like to visit the set during location shooting. He demurred, but said he would be sending an associate instead. The associate was actually Traven himself, using a pseudonym.
* Walter Huston, father of director John Huston, won the Academy Award for best supporting actor. John won for best direction. This was the first father/son win.
* To lend authenticity to his role, Walter Huston was persuaded by his son John to perform without his false teeth.
* The little boy who sells Dobbs (Humphrey Bogart) the portion of the winning lottery ticket is Robert Blake (of "Little Rascals" and "Baretta" (1975) fame).
* John Huston stated that working with his father on this picture and his dad's subsequent Oscar win were among the favorite moments of his life.
* Director Cameo: [John Huston] the man who Dobbs begs money from three times early in the film.
* John Huston was fascinated by mysterious author B. Traven, who was a recluse living in Mexico. Traven approved of the director and his screenplay (by letter, obviously), and sent his intimate friend Hal Croves to the location to be a technical advisor and translator for $150 a week. The general consensus is that Croves was in fact Traven, though he always denied this. Huston was happy not to query him on the subject but his then-wife Evelyn Keyes was certain Croves was the mysterious author, believing that he was continually giving himself away, saying "I" when it should have been "he", and using phrases that were exactly the same as those to be found in Traven's letters to Huston. All very ironic, especially considering that Traven was offered $1000 a week to act as technical advisor on the film.
* John Huston played one of his infamous practical jokes on Bruce Bennett in the campfire scene in which he eats a plate of stew. Bennett knew that his character was starving so he wolfed down the food as quickly as possible. Huston then demanded another take. And another. In both extra takes the rapidly filling-up Bennett again had to eat a large plate of stew. Unbeknownst to him, Huston had been happy with the first take. The cameras weren't even rolling for the second and the third. He just wanted to see how much food Bennett could lower before he became too stuffed. As soon as the joke was revealed, Huston added insult to injury by calling for a lunch break.
* Filmed in Mexico, though Warners’ studio head Jack L. Warner had the unit return to Hollywood when the budget started to exceed $3 million (Warner, however, did admit that he thought the film was one of the greatest ever made).
* Humphrey Bogart started losing his hair in 1947, round about the time he was making Dark Passage (1947), partly because of hormone shots he was taking to improve his chances of having a child with wife Lauren Bacall (although his excessive drinking and lack of vitamin B were probably also factors in his hair loss). He was completely bald by the time he arrived in Mexico. Once on location, Bogart started taking vitamin B shots, and some of his hair grew back. But he did sport a wig throughout the entire shoot, albeit one that was artfully muddied and matted to cover up the joins.
* John Huston wrote the part of Howard specifically for his father, Walter Huston. The character that appears in the original novel is much older. Indeed, author B. Traven had envisaged Lewis Stone in the part.
* It was novelist B. Traven who suggested that John Huston play the part of the American tourist.
* John Huston has a cameo as an American tourist. This scene was directed by Humphrey Bogart, who took malicious pleasure on his director by making him perform the scene over and over again.
* When John Huston first started working on the project in 1941, the studio had George Raft, Edward G. Robinson and John Garfield in mind for the three main roles. Then World War II intervened. By the time Huston came back from making several documentaries for the war effort, Humphrey Bogart had become Warner Brothers' biggest star. This was entirely appropriate, for when Bogart first got wind of the fact that Huston might be making a film of the B. Traven novel, he immediately started badgering Huston for a part.
* As production dragged on, Humphrey Bogart, who was an avid yachtsman, was starting to get increasingly anxious about missing the Honolulu Classic, the Catalina-to-Hawaii race in which he usually took part. Despite assurances from the studio that he would be wrapped on the picture by then, he started to constantly dog John Huston about whether he would be done in time. Eventually Huston had enough and grabbed Bogart by the nose and twisted hard. Bogart never asked him how long before the shooting was over again.
* Producer Henry Blanke had originally wanted John Garfield in the Tim Holt role, but Garfield was unavailable. Ronald Reagan was then considered.
* On seeing the depth of Walter Huston's performance, Humphrey Bogart famously said. "One Huston is bad enough, but two are murder."
* Initially thrilled at Walter Huston's scene-stealing performance, as the shoot wore on producer Henry Blanke started to have second thoughts about Huston upstaging the film's star, Humphrey Bogart, and so John Huston started to get notes from the studio telling him to tone down his father's performance.
* One of the first American films to be made almost entirely on location outside the USA.
* Vincent Sherman was all set to direct a version of the story during the WWII years until his script fell foul of the Breen office for being derogatory towards Mexicans.
* John Huston at the time had not been married very long to Evelyn Keyes, who he constantly belittled and humiliated on the location shoot. Eventually Keyes returned to Hollywood to shoot another picture. During this time Huston decided that he wanted to adopt a little orphan boy called Pablo who had been hanging around the set. Keyes first got wind of this when she greeted Huston and Pablo at the airport upon their return from Mexico.
* The film took 5-1/2 months to shoot and was 29 days over schedule.
* Robert Blake snatched the water glass and coffee cup - instrumental props from his big scene - as mementos of his time on the film.
* The fight scene in the cantina took five days to shoot.
* Robert Rossen submitted at least nine drafts of rewrites on the screenplay when John Huston was away during the war.
* A doctor was assigned to the unit in Mexico and one night he had to attend to John Huston, who had an adverse reaction to marijuana, having smoked it for the first time with his father. He never touched the stuff again.
* John Huston originally wanted to cast Ronald Reagan as James Cody. Warner Bros. studio boss Jack L. Warner instead insisted on casting Reagan in The Voice of the Turtle (1947). Bruce Bennett was eventually cast as Cody.
* 2007: The American Film Institute ranked this as the #38 Greatest Movie of All Time.
* The bum seated near Walter Huston in the first scene in the Oso Negro flophouse is Jack Holt, father of Tim Holt. Holt is not the man in the barroom scene who speaks to Humphrey Bogart and Tim Holt in the saloon, as stated by Eric Lax in his DVD commentary. That actor is Pat Flaherty.
* Director John Huston had read the book "The Treasure of the Sierra Madre" by B. Traven in 1936 and had always thought the material would make a great movie. Based on a 19th-century ballad by a German poet, Traven's book reminded Huston of his own adventures in the Mexican cavalry. When Huston became a director at Warner Bros., the smashing success of his initial effort, The Maltese Falcon (1941), gave him the clout to ask to write and direct the project, for which Warner Bros. had previously secured the movie rights.
* Humphrey Bogart's and Tim Holt's very first scene together was also the very first scene shot.
* Walter Huston learned his famous jig from playwright 'Eugene O'Neill (I)' when he was performing in O'Neill's play "Desire Under the Elms" in 1925. This most famous of dances was unscripted and was Walter's idea.
SPOILER: John Huston's original filmed depiction of Dobbs' death was more graphic--as it was in the book--than the one that eventually made it onto the screen. When Gold Hat strikes Dobbs with his machete, Dobbs is decapitated. Huston shot Dobbs' (fake) head rolling into the waterhole (there's a quick shot of Gold Hat's accomplices reacting to Dobbs' rolling head that remains in the film and in the very next shot you can see the water rippling where it rolled in). The 1948 censors would not have allowed that, so Huston camouflaged the cut shot with a repeat shot of Gold Hat striking Dobbs. Warner Bros' publicity department released a statement that Humphrey Bogart was "disappointed the scene couldn't be shown in all its graphic glory". Bogart's reaction: "What's wrong with showing a guy getting his head cut off?"