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The Postman Always Rings Twice (1981) DVDRip (SiRiUs sHaRe)

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The Postman Always Rings Twice (1981) DVDRip (SiRiUs sHaRe)

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Name:The Postman Always Rings Twice (1981) DVDRip (SiRiUs sHaRe)

Total Size: 1.37 GB

Magnet: Magnet Link

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Stream: Watch Online @ Movie4u

Last Updated: 0000-00-00 00:00:00 (Update Now)

Torrent added: 2009-08-30 01:09:16





Torrent Files List


FAQ README.txt (Size: 1.37 GB) (Files: 4)

 FAQ README.txt

2.92 KB

 The Postman Always Rings Twice (1981) DVDRip (SiRiUs sHaRe) CD1.avi

700.65 MB

 The Postman Always Rings Twice (1981) DVDRip (SiRiUs sHaRe) CD2.avi

700.45 MB

 The Postman Always Rings Twice (1981).rtf

10.82 KB
 

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Torrent description

The Postman Always Rings Twice (1981)

This remake of the 1946 movie of the same name accounts an affair between a seedy drifter and a seductive wife of a roadside cafe owner. This begins a chain of events that culminates in murder. Based on a novel by James M. Cain.

Jack Nicholson ... Frank Chambers
Jessica Lange ... Cora Papadakis
John Colicos ... Nick Papadakis
Michael Lerner ... Mr. Katz
John P. Ryan ... Kennedy
Anjelica Huston ... Madge
William Traylor ... Sackett
Thomas Hill ... Barlow (as Tom Hill)
Jon Van Ness ... Motorcycle Cop
Brian Farrell ... Mortenson
Raleigh Bond ... Insurance Salesman
William Newman ... Man from Home Town
Albert Henderson ... Art Beeman
Ken Magee ... Scoutmaster
Eugene Peterson ... Doctor

Director: Bob Rafelson

Runtime: 122 mins

http://www.imdb.com/title/tt0082934/

Codecs:

CD1:

Video : 617 MB, 1430 Kbps, 23.976 fps, 640*480 (4:3), XVID = XVID Mpeg-4,
Audio : 82 MB, 192 Kbps, 48000 Hz, 1 channels, 0x2000 = AC3 DVM, CBR,

CD2:

Video : 616 MB, 1418 Kbps, 23.976 fps, 640*480 (4:3), XVID = XVID Mpeg-4,
Audio : 83 MB, 192 Kbps, 48000 Hz, 1 channels, 0x2000 = AC3 DVM, CBR,

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This remake of the 1946 film which starred Lana Turner and John Garfield is significantly better than its reputation. The script, adapted from James M. Cain\'s first novel, is by the award-winning playwright David Mamet, while the interesting and focused cinematography is by Sven Nykvist, who did so much exquisite work for Swedish director Ingmar Bergman. An excellent cast is led by Jack Nicholson and Jessica Lange, whose cute animal magnetism is well displayed. Bob Rafelson, who has to his directorial credit the acclaimed Five Easy Pieces (1970) and The King of Marvin Gardens (1972), both also starring Jack Nicholson, captures the raw animal sex that made Cain\'s novel so appealing (and shocking) to a depression-era readership and brings it up to date. Hollywood movies have gotten more violent and scatological since 1981, but they haven\'t gotten any sexier. This phenomenon is in part due to fears occasioned by the rise of AIDS encouraged by the usual blue stocking people. Don\'t see this movie if sex offends you.

Lange is indeed sexy and more closely fits the part of a lower-middle class woman who married an older man, a café owner, for security than the stunning blonde bombshell Lana Turner, who was frankly a little too gorgeous for the part. John Colicos plays the café owner, Nick Papadakis, with clear fidelity to Cain\'s conception. In the 1946 production, the part was played by Cecil Kellaway, who was decidedly English; indeed they changed the character\'s name to Smith. Also changed in that production was the name of the lawyer Katz (to Keats). One wonders why. My guess is that in those days they were afraid of offending Greeks, on the one hand, and Jews on the other. Here Katz is played by Michael Lerner who really brings the character to life.

Jack Nicholson\'s interpretation of Cain\'s antihero, an ex-con who beat up on the hated railway dicks while chasing any skirt that came his way, the kind of guy who acts out his basic desires in an amoral, animalistic way, was not entirely convincing, perhaps because Nicholson seems a little too sophisticated for the part. Yet, his performance may be the sort better judged by a later generation. I have seen him in so many films that I don\'t feel I can trust my judgment. My sense is that he\'s done better work, particularly in the two films mentioned above and also in Chinatown (1974), One Flew Over the Cuckoo\'s Nest (1975) and such later works as The Shining (1980) and Terms of Endearment (1983).

The problem with bringing Postman successfully to the screen is two-fold. One, the underlying psychology, which so strongly appealed to Cain\'s depression-era readership, is not merely animalistic. More than that it reflects the economic conflict between the established haves, as represented by the greedy lawyers, the well-heeled insurance companies, the implacable court system and the simple-minded cops, and to a lesser degree by property owner Nick Papadakis himself, and the out of work victims of the depression, the have-nots, represented by Frank and Cora (who had to marry for security). Two--and this is where both cinematic productions failed--the film must be extremely fast-paced, almost exaggeratedly so, to properly capture the spirit and sense of the Cain novel. Frank and Cora are rushing headlong into tragedy and oblivion, and the pace of the film must reflect that. A true to the spirit adaptation would require a terse, stream-lined directorial style with an emphasis on blind passions unconsciously acted out, something novelist Cormac McCarthy might accomplish if he directed film. I think that Christopher Nolan, who directed the strikingly original Memento (2000) could do it.

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I say that one-line statement having yet to read James M. Cain\'s original (short) book, or the 1946 film starring John Garfield and Lana Turner. So I have now seen the Postman Always Rings Twice directed by Bob Rafelson and starring Jack Nicholson and Jessica Lange twice now, and see it on its own terms without much to really compare it to. Perhaps my perceptions could change once I see the older Hollywood film (even though Luchino Visconti\'s own version of the book, Ossessione, is one of his masterpieces), but for the moment this is a fairly competent, sometimes exciting, and usually sensual story of lust, murder, thick plots and a few tight twists and turns. Nicholson\'s Frank Chambers is a sort of blue-collar wanderer who wanders into the life of Cora (Lange, rarely been sexier), who is married to a gregarious, overbearing lug, Papadakis (John Colicos, perfect in a character-actor bit), who with his wife run a little restaurant. Chambers works his way into not just Papadakis\'s good graces as a worker, but Cora\'s undergarments as well, so to speak. Soon a plot thickens between the two lovers over what to do with the other. Right out of the best film-noir, there\'s quite a sequence that spins as their scheme unfolds, which includes money as well as each other. That everything doesn\'t go quite to plan makes this film both captivating and cool, while sometimes frustrating.

Here Rafelson has his cast really locked in place like it can\'t go wrong. Nicholson as a street-wise tough guy who falls for a woman with whom there\'s immediate, sexual magnetism, but also has some flaws that come with the package- almost too easy for him but not a bad performance. Lange brings some dimension to a character that could be either a real prize or a true femme fatale. And character actors like Michael Lerner (only better in Barton Fink) and even featuring Angelica Huston in an early performance, add some good weight to the cast. The sex scenes years later are still enticing, and the ending is a true whopper that is part of the story\'s best catharsis, though in its own formula still tragic. If then it doesn\'t feel really as successful as the best noir of the 40s and 50s its almost hard to say. Sometimes scenes kinds of come and go, and the flow of the story sometimes gets jammed up after the midway mark goes by. It turns more into a domestic drama than something more exciting in the suspenseful turns early on. Just when Rafelson has his crew working to put life into some scenes, a few are a little flat in comparison.

Still, even if you have seen the original 40s takes on Cain\'s novel, it\'s never less than interesting what goes on thanks to the nature of the story. It\'s a look at very flawed, psychologically cruxed people who attempt at happiness in ways that change them for worse and for better (possibly more the former). Occasionally the sex could be in danger of veering off the more stylish side of the lust in the 40s noirs into soft-core land, but it\'s balanced out by its general professionalism and the acting randing from so-so-to-better-than-average. It\'s a like it or hate it film.

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\'The Postman always rings twice\' can qualify as a very under-rated movie. Despite its flaws, it\'s one of those movies which have touched my heart. The complex relationship between the two leading characters is one of the most intriguing relationships that I have observed. The movie is about a bond which is formed between Jack Nicholson & Jessica Lange. Jack is a vagrant who visits a highway hotel owned by Jessica Lange\'s husband, an old commoner. He ends-up seducing Jessica Lange who falls for his charm & is attractive demeanour. They carry their relationship, the same way till a point, where they decide to kill Jessica\'s husband.

After his murder they, they undergo an investigation & later realize that their relationship is not as rosy as it used to be due to their oversight of each other\'s shortcomings. But they still manage to hold on to each other due to a bond between them & because of their affection. It ends in a tragedy with the death of Jessica Lange, which is sort of an anticlimax, but it is presented in an original way. The movie gave me the same feeling which I got from reading the novel \'Love Story\' by Eric Segal. The best aspect of the movie is the performance of Jack Nicholson & Jessica Lange which are astounding. Their love making scenes are the most passionate love making scenes I\'ve ever seen in movies & their chemistry is simply awesome. Jessica looks like a million bucks in this movie. It is one of those rare movies which is definitely worth watching for someone who is a fan of character driven movies with complex relationships.

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* In the mid-\'70s, studio executives had mooted Raquel Welch as Cora, but backed off.

* Lindsay Crouse screen tested for Cora.

* Elia Kazan was screen tested for Cora\'s husband.

* Meryl Streep rejected the part of Cora.

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