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Arszyn_And_Columbus_Duo Columbus_Meets_Arszyn CD 2009 211

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Arszyn_And_Columbus_Duo Columbus_Meets_Arszyn CD 2009 211

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Name:Arszyn_And_Columbus_Duo Columbus_Meets_Arszyn CD 2009 211

Total Size: 50.16 MB

Magnet: Magnet Link

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Stream: Watch Online @ Movie4u

Last Updated: 2010-02-12 04:58:04 (Update Now)

Torrent added: 2009-08-29 19:10:58



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00-arszyn_and_columbus_duo-columbus_meets_arszyn-cd-2009-proof.jpg (Size: 50.16 MB) (Files: 12)

 00-arszyn_and_columbus_duo-columbus_meets_arszyn-cd-2009-proof.jpg

7.86 KB

 00-arszyn_and_columbus_duo-columbus_meets_arszyn-cd-2009.m3u

0.38 KB

 00-arszyn_and_columbus_duo-columbus_meets_arszyn-cd-2009.nfo

3.58 KB

 00-arszyn_and_columbus_duo-columbus_meets_arszyn-cd-2009.sfv

0.45 KB

 01-arszyn_and_columbus_duo-boza.mp3

9.00 MB

 02-arszyn_and_columbus_duo-tuszenie.mp3

3.84 MB

 03-arszyn_and_columbus_duo-sacred_noise.mp3

2.81 MB

 04-arszyn_and_columbus_duo-skanuje_sie_do_snu.mp3

6.25 MB

 05-arszyn_and_columbus_duo-varna.mp3

5.89 MB

 06-arszyn_and_columbus_duo-trzy_tygodnie_w_drodze.mp3

4.98 MB

 07-arszyn_and_columbus_duo-przejscie_podziemne.mp3

11.20 MB

 08-arszyn_and_columbus_duo-skanuje_sie_do_snu_(instrumetal).mp3

6.18 MB
 

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Torrent description


Release : Arszyn & Columbus Duo - Columbus Meets Arszyn


Artist : Arszyn & Columbus Duo
Album : Columbus Meets Arszyn
Genre : Progressive Rock
Source : Retail CD
Label : Dead Sailor
Cat. Number :
URL : http://www.myspace.com/columbusduo
Street Date : 2009-05-00
Rip Date : 2009-05-09
Encoder : LAME3.97 / -V2 --vbr-new
Quality : 214kbps 44100Hz Joint Stereo
Tracks : 8
Time : 32:41 min
Size : 52.58 MB



01 Boza 5:44
02 Tuszenie 2:49
03 Sacred Noise 1:37
04 Skanuje Sie Do Snu 4:02
05 Varna 3:41
06 Trzy Tygodnie W Drodze 3:36
07 Przejscie Podziemne 7:13
08 Skanuje Sie Do Snu (Instrumetal) 3:59



The history of the band, that is a long and slow evolution rather than a
succession of explosions, starts in 1991, the year in which his members
formed THING. At the beginning, listening to the bands like Sonic Youth and
The Jesus Lizard, they were in the vanguard of Polish noise. THING played
dozens of concerts and recorded several demo-tapes but that was not before
1997 that their music was officially released by Nikt Nic Nie Wie. The
album Rudder displayed the band’s understanding of noise frequencies,
embodied in thrillingly articulate sounds. Live performances with the bands
like Surrogat, Spokój, Guapo, Couch, Melt Banana and Ewa Braun confirmed
the evolution of THING towards more precise and minimal forms, symbolically
represented by the line-up reduction from quintet to trio. Rudder was
followed by Killwater, recorded in 1999 and released independently the same
year. The album saw THING’s noise arsenal expanding further: its blazing
sonic wig-outs recall The Dazzling Killmen but some fragments mark the new
way of the band. In the end of 1999 THING turned into COLUMBUS
ENSEMBLE, project that reveal the interest of its members for non-linear
textures and dynamics. COLUMBUS ENSEMBLE had already revealed their
austerely minimalist soundscape playing live with Couch and Ewa Braun, when
the former THING’s guitarist completed the line-up, this time playing the
trumpet and signaling the new change in focus. Again as a quartet, the band
started to forge a distinct and wildly experimental fusion of jazz, noise
and minimal, acclaimed by the German and Danish public during the tour in
2001. The same year saw the first COLUMBUS’ album, issued on the Dead
Sailor label. This “debut” contains exclusively instrumental development of
the band’s experiences throughout all the decade. The record plays to every
nuance that COLUMBUS has exhibited these last years and proposes a mélange
of different sonic concepts that the critics compare with the new Chicago
scene. But that was not the end of the band’s minimalist journey: since
2002 COLUMBUS has played just as a brothers’ duo. The sound has become a
little bit more austere, two guitars are sometimes accompanied by loops and
a voice. More melodic, COLUMBUS DUO ventures into the areas of alt-country,
ambient and avant-garde cameral music, and the new pieces propose the
intimacy that seems suited for the post-industrial sensibility.






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