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On Art in the Ancient Near East, Vol 1 (Off the First Millenium BCE) and Vol 2 ( From the Third Millenium BCE) (Art History Ebook)

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Name:On Art in the Ancient Near East, Vol 1 (Off the First Millenium BCE) and Vol 2 ( From the Third Millenium BCE) (Art History Ebook)

Infohash: 3CF53B3082F60C8C3481150C86A93019B22FB5B8

Total Size: 25.83 MB

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Leechers: 2

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Last Updated: 2024-03-10 08:39:53 (Update Now)

Torrent added: 2014-04-22 18:34:23






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Vol 34-1 - On Art in the Ancient Near East - Vol 1 - Off the First Millenium BCE.pdf (Size: 25.83 MB) (Files: 2)

 Vol 34-1 - On Art in the Ancient Near East - Vol 1 - Off the First Millenium BCE.pdf

17.27 MB

 Vol 34-2 - On Art in the Ancient Near East - Vol 2 - From the Third Millenium BCE.pdf

8.56 MB
 

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Torrent description

Brill / 2009 / English / 1202 pages total / 2 x pdf / 25.8 MB


VOL 1

Winter ,\"On Art in the Ancient Near East, Volume 1 of the First Millennium Bce (Culture and History of the Ancient Near East)\"
BRILL | English | 2009 | ISBN: 9004172378 | 640 Pages | PDF | 18 MB

This volume of Collected Essays brings together for the first time the range of Winter\'s pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoeician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield \'history\' in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear on upon elements of formal analysis and archaeological context.


VOL 2
Winter On Art in the Ancient Near East Volume II (Culture and History of the Ancient Near East)
BRILL | 2009 | ISBN: 9004174990 | 542 pages | PDF | 8,7 MB

This second volume of collected essays, complement to volume one, focuses upon the art and culture of the third millennium B.C.E. in ancient Mesopotamia. Stress is upon the ability of free-standing sculpture and public monuments not only to reflect cultural attitudes, but to affect a viewing audience. Using Sumerian and Akkadian texts as well as works, the power of visual experience is pursued toward an understanding not only of the monuments but of their times and our own.

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