Rock

Peter Frampton Discography (1972 2006)[

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Peter Frampton Discography
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Artist...............: Peter Frampton
Genre................: Rock
Source...............: NMR
Year.................: 1972-2006
Quality..............: 192 (except were noted)
Channels.............: Joint Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
Covers...............: Front, Back
Information..........: Seperate nfo/sfv for each album

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Album listing
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1972 - Wind Of Change
1973 - Frampton's Camel
1974 - Somethin's Happening
1975 - Frampton
1976 - Frampton Comes Alive (320kbps)
1977 - I'm In You
1979 - Where I Should Be (320kbps)
1980 - Rise Up
1981 - Breaking All The Rules
1982 - The Art of Control
1985 - Premonition (224kbps)
1989 - When All The Pieces Fit
1994 - Peter Frampton
2003 - Now
2006 - Fingerprints (VBR, 215kbps)

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Peter Frampton (born Peter Kenneth Frampton on April 20, 1950) is an
English musician, singer, producer, and multi-instrumentalist. He was
previously associated with the bands Humble Pie and The Herd, among
others. In 1982 Frampton tried unsuccessfully to split his ties with A&M
Records, however he re-signed with the label in 2006 and released his
grammy award winning Fingerprints. He is considered by the Enquirer as the
"The Face of 1968".

Frampton's international breakthrough album was his live release, Frampton
Comes Alive!. The album sold over 6 million copies in the United States alone,
and since then he has released several major albums. He has worked with
David Bowie, Matt Cameron from Soundgarden and Mike McCready from Pearl
Jam among others. In later years Frampton is remembered for such hits as
"Baby, I Love Your Way", "I'm in You" and "Do You Feel Like We Do" among
others.

After five albums with Humble Pie, Frampton left the band and went solo in
1971, just in time to see Rockin' The Fillmore rise up the US charts.[2] He
remained with Dee Anthony, the same personal manager that Humble Pie had
used.[12]

His debut was 1972's Wind of Change, with guest artists Ringo Starr and Billy
Preston.[3][4] This album was followed by Frampton's Camel in 1973, which
featured Frampton working within a group project. In 1974, Frampton
released Somethin's Happening. Frampton toured extensively to support his
solo career. In 1975, the Frampton album was released. The album went to
#32 in the US charts, and is certified Gold by the RIAA.[2]

Peter Frampton had minimal commercial success with his early albums. This
changed with Frampton's breakthrough best-selling live album, Frampton
Comes Alive!, in 1976. "Baby, I Love Your Way" and "Show Me the Way"
were singles. "Do You Feel Like We Do", despite its length, was also popular.
The latter two tracks also featured his use of the talk box guitar effect. The
album was recorded in 1975, mainly at the Winterland Arena in San
Francisco, California, where Humble Pie had previously enjoyed a good
following. Released in early January, it debuted on the charts on 14 February
at number 191. It stayed at the top of the charts, at number one, for 10
weeks, in the Billboard's Top 40 album chart for 55 weeks, and stayed on the
Billboard 200 charts in total for 97 Weeks. It was the top selling album of
1976, beating Fleetwood Mac's Fleetwood Mac for the top spot, and was the
14th best seller of 1977. The album became the biggest selling live album at
the time of its release and sold over 6 million copies in the US, 16 million
worldwide. It has since dropped to fourth all-time, after The Garth Brooks
album Double Live, which at 20 times platinum is the best selling live album of
all time at present. Bruce Springsteen is next at 13 times with Bruce
Springsteen & E Street Band Live 1975 - '85 and The Eagles come in next with
Eagles Live at 7 times platinum. Frampton Comes Alive! is 6 times
platinum.

The success of Frampton Comes Alive! put him on the cover of Rolling Stone,
in a famous shirtless photo by Francesco Scavullo. In late 1976, he and
manager Dee Anthony visited the White House at the invitation of Steve
Ford, the president's son. The album put Frampton in a position to be
offered, and then accept, a co-starring role with The Bee Gees in director
Robert Stigwood's poorly received Sgt. Pepper's Lonely Hearts Club Band.
Frampton's career seemed to be falling as quickly as it had risen.

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